If something fascinates me about programs like GH, in all its versions, it is that they are capable of pumping milk from an alcuza, although the alcuza is drier than the mummy's snuff. Yes, this edition of GH VIP is being a major pain. Hala, I've stayed at ease! If it is not for the Greek tragedies of Master Joao, the trios imposed and the struggle to survive in a house of hyenas of Adara, it would be best to turn off the TV and go to sleep, as they do.
It seems incredible to me that these gentlemen are charging what they are charging and their greatest contribution is to spend all day hibernating which brown bear or criticizing everything that does not marry them. They are a firecracker. Look, Hugo Castejón was not holy of my devotion, but I have to say that as a GH fan I miss him very much. If only because I was going to have them busted and sleepless.
What will be the campus that has the reality that they were forced to put in the house the boyfriend or ex-boyfriend, I am not sure, of Master Joao and Adara's ex so that somehow a plot and a series of contents were created that nine people are unable to create because they are firecrackers of the time. I will say it very clearly: GH VIP is going to give a show, to entertain, to suffer, to enjoy, to, in short, to do something and not spend 24 hours lying on the bartender watching time pass.
On top of that, they have so little shame to criticize the only ones who give something to the audience and come to accuse them of mounting because they do not understand that Master Joao threw himself a week appointing Pol and suddenly Pol appeared, he would meet Adara -with which ended up as the rosary of the dawn - and now he spends all day as a soul in sorrow because he cannot overcome Master Joao's infidelity, but at the same time he cannot live without him because he loves him. Come on, they tell Pedro Almodóvar this story and he makes us an Oscar-winning movie in a pee pas.
Yes, according to a good part of the house, Master Joao and Pol's smells really bad. What are they implying ?, What the Master, Pol and Adara have mounted with GH VIP a montage to carry out the pestiño that they have converted this edition ?, Are they biting the hand that feeds them ?, or is it who are so busted that they no longer know what to do to make them look like they are? Among the constant criticisms of Adara, which has already become a full-fledged persecution: the excessive attacks on galas; the screams suddenly when in the whole week they have not made the egg and of course the images have already done it all.
Last night the images that were broadcast on GH VIP: Limit 48 hours of El Cejas and Antonio David descojonando because they did not believe that Pol would only like women and Master Joao is to take them and head them against the wall.
On top of how they didn't know how to get out of the quagmire where they alone had gotten, Alba Carrillo and Antonio David stood as the spokesmen for the conspiracy theory that they are mountaineers and that all this had already been planned. "How lucky I am that GH VIP puts everyone I name! Please, come Richard Gere!", Said Master Joao, the man who cries without tears, before the accusations of Antonio David and Alba.
What a coincidence that whenever they go to publicity, they get brown! Last night it wasn't going to be different. Joao had a pissed off of three pairs of balls, Pol was really spoiled and Adara didn't know how to defend his only two props in the house. With this circus Master Joao could not think of another to threaten to sue all those who accused him of mountaineers. "My lawyer has powers," he shouted at the harpies and Antonio David. "Tell your lawyer to watch videos," AntonioDa replied that he only gets cool in the live shows, while the rest of the harpies were reluctant because it turns out that the assembly was not about their relationship but about what they were riding in the house. What a fabric ... Well, good thing they ride at least something because if they do what others do, turn it off and let's go.
I don't believe in the role of Pol and Master Joao. I do not say that it is a montage, but I think they know that the film they have mounted if they are still represented as it is going to benefit them a lot. These talks trying to give a chance, swearing eternal love, dreaming of a trip ... to break at two hours again because Pol does not leave the other's head, and can not, and can not stand it, and not wants to continue is a script that we all know.
Pol has gone up to the house to play his part, to keep the game with Joao, while Joao is taking out his most bitter face, that of a man who wants to be conquered despite having been the one who committed the infidelity, that of A man who treats what has been his partner in recent times as if he were a child to be educated, that of a man who knows perfectly how to turn the tortilla around and turn the tables at will. Pol is malleable, moldable, tame and adamantine, while Master Joao has a long journey, too much travel, a journey that was discovered last night as dark, full of excesses, cruelty, sadness, unhappiness ...
I have said it many times, but the curve of the life of GH VIP is to bleed the contestants until they have no soul left. They put them in front of a blackboard where they have to represent the chronological line of their life, with their ups, downs, their good times and their bad times. The Master Joao is a full-fledged drama. Pedroooooooooooo, make the movie now!
I'm going to get serious because what Joao revealed last night is not to make jokes. There was a moment that, as I was speaking, images of the movie The ages of Lulu, by Bigas Luna, mixed in my head. Images of dark places, of fears, of excesses, of suffering ... Because what Master Joao said last night is the most tremendous thing I've heard in a GH. A terrible, terrifying life curve.
Master Joao, himself, took the whole program last night. Neither montages, nor criticisms of Adara's mother, nor Alba Carrillo's tone outlets, nor the coronation of the furniture of the house, Naomi, nor her disgust, nor Estela's salvation from the nominations, nor Mila's confrontation Ximénez with Gianmarco, Master Joao ate it last night.
His story is the story of a "feigned happiness." Now only those two words sound like great sadness and misfortune. "Much of my life has been bullshit ... Looking back is very painful and you realize that there is a lot of happiness that one has invented," Joao started. I will not deny that Master Joao is a Maria Asquerino de manul. He likes a drama more than a beer - and it is already difficult - and he loves to somatize it and express it as a Broadway show. But last night, even with his drama, with his show, it was very real. In fact, I think Joao is going to get pretty touched after last night.
Joao began by telling how his childhood was, how he grew up in a humble family, a "poor childhood, but not unhappy", how he lived in a shack in the San Pascual neighborhood, how he had no bathroom, how his mother exercised of father and mother, because "she was the one fighting." That is, a childhood that was not easy, but that was not terrible either.
The terrible would begin later. At the age of 13, Master Joao began to work, to look for life, but life sought him. "There was a person who was a little known and that person abused me, Jorge. And I was little ..." He was 14 and he was about 30, he was dedicated to the song and he is already dead, but in Joao that story is very much alive. "It was General Ricardos Street, in a very dark place ... I entered a very dark place and it pushed me, and I have never related that fact to anyone. I remember wearing a bib and a blouse ..." And Jorge Javier Vázquez I cut it.
But let no one believe that Joao did not assume his guilt in his life curve, although it should not be called guilt. Joao recognized his life of excesses, a life where he tried everything and where he fell into almost everything. "I was an excess in itself, if an excess was invented I had already tried (...) Yes, I have had problems with drugs, I have come to breakfast whiskey ... I think I wanted to forget everything and have a life that it wasn't mine, I wanted to fly, "he acknowledged.
"I wanted to die for so many days and God has not granted it to me," he said when he talked about the love of his life and his death because even that was a disgrace in Joao's life. Now it seems that Master Joao has little to do with this dark and excessive man. Yes, it is very peculiar, very showman, very dramatic, but it does not give the feeling of being the one he spoke of. What is not so clear to me is that his life curve has come as good as it has come to the program.
It may seem like the drama of the damones, it may seem like a booklet worthy of Victor Hugo and his Jean Valjean de Los Miserables, but I insist that without teachers Joaos, Poles and Adaras we would be facing the worst edition of the history of GH VIP and all GH.
As the plan that the traps have is fulfilled so that the three nominees are Adara, Joao and Pol and so some of them come out because if they face them they will fall one by one, this GH VIP sinks us into misery. Please, GH listens to the audience and returns the nominations to the confessional. That they do not return to nominate to the face because it is when they nominate according to the plans and without freedom. And so they will end up loading what little is left of this edition of GH VIP.
Last night, the audience chose Naomi as the biggest piece of furniture in the house, but the reality is that the house itself is a piece of furniture. It is a house of zombies that only wake up to step on the only ones who are giving some play, and I do not care if it is riding one of Romans or telling the greatest drama of his life. I want GH, I don't want to go to the carpentry.
According to the criteria of The Trust Project
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