Chinanews.com, Beijing, February 11 (Reporter Gao Kai) A seminar on the TV series "The Wind Blows Pinellia" sponsored by the China Television Arts Committee was held in Beijing a few days ago.

　　The purpose of this seminar is to review and summarize the history and experience of the creation and broadcast of the play, and provide reference for the continuous promotion of the high-quality development of Chinese TV play creation.

The guests at the meeting discussed in depth the ideological theme conception, character image creation, artistic style presentation of "Wind Blowing Pinellia", and its exploration of the spirit of the times.

　　"Wind Blowing Pinellia" is produced by iQiyi and broadcast exclusively on the entire network, jointly produced by Shangxiang Entertainment, and produced by 24 grids. Xu Banxia, ​​Tong Xiaoqi, and Chen Yuyu started from scratch, and together with a group of entrepreneurs, they rode the wind of the times and worked hard to create a world in the early days of reform and opening up.

Since the show was broadcast, it has gained high ratings, high word-of-mouth, and high topics. The popularity of iQiyi's content has exceeded 10,000, and it has continued to rank first in multiple third-party data lists.

　　The story time of "The Wind Blows Pinellia" extends from the 1990s to the beginning of the 21st century, giving a panoramic view of the development and changes of Chinese society and economy at that time.

The play's entrepreneurial details are real and meticulous, the characters are vivid and three-dimensional, and the emotional relationship is delicate and moving. Its restoration of the texture of the age left a deep impression on the audience.

　　Liu Yina, Director of the TV Drama Department of the Shanghai Municipal Radio and Television Bureau, said at the seminar that "The Wind Blows Pinellia" is a masterpiece of Shanghai-produced TV dramas that pays tribute to the reform and opening up, and has realized the three aspects of character design, creative theme and value perspective. Keeping upright and innovating has given the traditional story of entrepreneurial struggle a new taste and level.

Behind its success is Shanghai's unremitting efforts to create "the best ecology for drama creation".

　　Wang Xiaohui, the director producer of the play, chief content officer of iQiyi and president of the Professional Content Business Group (PCG), interpreted the "four tributes" in the content creation of the play. A magnificent picture scroll of the times; pay tribute to entrepreneurs and pay tribute to the private economy and grassroots people, and tell the story of Chinese-style "breakers" who overcome difficulties and persevere; pay tribute to Chinese-style partners, which not only reflects the modern spirit of cooperation, The spirit of contract also carries the values ​​of emphasizing love and righteousness in traditional culture; paying tribute to classic narratives, classic structures, empathy for the times, and brand-new audiovisuals are all brilliantly presented in this play.

　　"The Wind Blows Pinellia" co-producer Cai Jian, chief producer Gao Jinxi, and director Fu Dongyu introduced the creation process of the play in turn.

Cai Jian believes that "The Wind Blows Pinellia" embodies the distinct values ​​of the times and the rare spiritual power of women, and shows the producer's determination to create realistic dramas around small people, positive energy, big times, and new perspectives. .

Gao Jinxi said that from reading a large amount of literature, investigating and studying relevant history and policies, to field surveys and reconstructions, the main creators have created masterpieces that praise the times and praise the people with a sincere creative attitude and superb production standards.

Fu Dongyu said that "The Wind Blows Pinellia" overcame various difficulties during the filming process, insisted on uncompromising artistic quality, and set high standards and strict requirements on all links. Only works of excellent quality can impress the audience.

　　Li Guangjie, who played Zhao Lei in "The Wind Blows Pinellia", and Feng Jiayi, who played Qiu Bizheng, also shared their experiences during the filming.

The two words Li Guangjie feels most deeply are "details". A large number of vivid, credible, and highly textured details contribute to the realistic aesthetic temperament of "The Wind Blows Pinellia".

Feng Jiayi said that a play can trigger actors and audiences to think deeply inside and outside the play, which itself is the embodiment of its artistic charm and artistic value.

　　Wang Yichuan, vice chairman of the China Association of Literary Critics and a professor of the School of Liberal Arts of Beijing Normal University, believes that the play has created a group of vivid and lively business war characters in a mirror image. He is a typical contemporary Confucian personality, with the distinctive characteristics of a combination of realism and romanticism.

　　The story of "The Wind Blows Pinellia" is from the reform and opening up to China's "WTO entry". The hard work of the characters in the play has always resonated with the development and progress of the society of the times. The vigorous pace of the development of the times.

　　Dai Ying, the chief producer of "The Wind Blows Pinellia", said that the main creative team hopes to create an inspirational drama with the emotions of the times and shape the portraits of the characters, and innovate the creative perspective and mode of the period drama, so that the audience can enjoy both In the ever-changing business war, you can get a glimpse of the real complexity of human nature, and you can also feel the precious emotions in the development and changes of society, pass on the spirit of hard work and forge ahead, and bring some inspiration and thinking to the young people today.

　　Liang Zhenhua, the literary planner of the play, shared three points of experience in the creation process: one is about people and the times, "The Wind Blows Pinellia" intercepts a small wave in the great era, and dedicates it to the era that makes people's blood boil and tears fill their eyes and the youth that never turns back; the second is about the relationship between video writing and literature, "The Wind Blows Pinellia" is full of literary atmosphere and poetic flavor, and has unique aesthetic characteristics; the third is a "beautiful accident", realistic aesthetic style , narrative skills and a rigorous and innovative creative attitude have made a story that does not seem to have a "net feel" widely welcomed, which proves the eternal charm of realism.

　　In addition to the experience and skills of creating realistic themes, the interplay of individual struggle and the melody of the times is also a key word that cannot be avoided when discussing the artistic characteristics of "The Wind Blows Pinellia".

　　Liu Shuxin, a professor at the School of Literature and Journalism, Minzu University of China, believes that the stories of Xu Banxia’s pursuit of happiness contain personal choices and responsibilities, presenting the true course of modern business at a specific stage, and also praising the gradual construction of modern commercial civilization and calling.

　　Li Yuesen, director of the editorial department of the China Television Arts Committee, believes that "The Wind Blows Pinellia" uses the development and growth of private entrepreneurs to express the magnificent historical process of reform and opening up, accurately grasping the mainstream and trends of development, and at the same time recognizing its complexity.

Its modernity and professionalism show a strong sense of history and a sense of gravity.

Li Jingsheng, vice president of the China Federation of Radio and Television Social Organizations, said that "The Wind Blows Pinellia" completes the overall presentation of an era, with praise and tribute, review and reflection, nostalgia and regret.

The play is full of reflections on righteousness and benefit, and writes about the choice and attitude of the Chinese people between righteousness and benefit.

　　More than 30 people in charge of TV Drama Department, Network Audio-Visual Department of State Administration of Radio and Television, Shanghai Radio and Television Bureau, Shanghai Film and Television Industry Association and other units, experts and scholars, production and broadcasting organizations, and creative representatives attended the meeting.

Yi Kai, Secretary-General of China Television Arts Committee, presided over the seminar and made a concluding speech.

(over)