Twin Peaks

, the legendary series created by David Lynch and Mark Frost, lives on in our memory, inevitably associated with the iconic theme song by

Angelo Badalamenti

.

In the opening credits, when the little bird, the waterfalls, and the Welcome to Twin Peaks sign appeared, only those strange and enigmatic chords were played.

But the song composed by Badalamenti had already appeared with

the voice of Julee Cruise

, lyrics by David Lynch and the title of Falling, on the singer's first album,

Floating into the Night

(1989), released a year ago.

The singer died this Friday at the age of 65, after

a lifetime of struggling with lupus

, a disease she suffered from when she was young, although she did not make it public until 2018.

If the atmospheric

Twin Peaks Theme

became an instant classic, Julee Cruise's no less vaporous song also rose, through a

Lynchian

video clip , to the charts of half the world as a result of the planetary success of a series that broke all the schemes of what that had been seen on the small screen so far, and that was based on the very classic premise of finding a corpse.

Although everyone wondered

who the hell killed Laura Palmer

(Bob), the answer was in the atmosphere, in the strangeness that was hidden in the everyday, in the bizarre of every day, in the indescribable taste of cherry pie. .

Julee Cruise and David Lynch had met when the filmmaker was involved in the project of

the less mythical

Blue Velvet

(1986), which marked his first collaboration with Badalamenti.

They thought of ethereal and mysterious songs that Isabella Rossellini, Lynch's partner at the time and the film's star, could sing along with Laura Dern, Kyle MacLachlan and Denis Hopper.

One of them ended up being

Mysteries of Love

, written by Lynch, sung by Julee Cruise, and also included on that first album produced by the musician and filmmaker.

The inspiration for

Mysteries of Love

comes from the (again, mythical)

Song to the Siren

, version of the homonymous theme by Tom Buckley for the first album of This Mortal Coil,

one of the most extraordinary musical projects of the 80s

, since It was not a band to use.

The producer of the 4AD label, Ivo Watts-Russell created what is now known as dream-pop, atmospheric songs with ethereal voices like those of Liz Fraser (Cocteau Twins) or Lisa Gerrard (Dead can Dance), and summoned the artists of their label to record versions of classics brought to the 4AD sound on the three great albums by This Mortal Coil, with results as magical as that

Song to the Siren

, which ended up recurring in commercials in subsequent decades.

At that time, the rights to the song were already too expensive, even for David Lynch, and that is why he could not use it, which reverberated in favor of the signing of the unknown Julee Cruise, who had been

a student of Badalamenti in a workshop

.

The happy trio of Lynch, Badalamenti and Cruise gave a lot of themselves.

Together they put on a show called Industrial

Symphony Nº1

, in which

Nicolas Cage and Laura Dern

, the couple from

Corazón Salvaje

(1990), broke up on the phone, to make way for a concert by Cruise, who first appeared singing

Up in Flames

and then going down harnessed and dressed like a good fairy from

The Wizard of Oz

, from the top of the Brooklyn Academy of Music to the tune of

I Float Alone

.

In Twin Peaks, Cruise appeared singing

Rocking Back Inside My Heart

against the background of

red curtains

, among other cameos, and his voice was played repeatedly.

He repeated in the movie

Twin Peaks: Fire walks with me

(1992), and in the last and revolutionary third season of the series, released in 2017. They even signed a version of Elvis Presley,

Summer Kisses,

Winter Tear

, for the movie, otherwise quite unsuccessful, by Wim Wenders Until the end of the world (1991).

Julee Cruise's second album,

The Voice of Love

(1993), picked up some of her Lynchian collaborations such as

Up in Flames

or the title track, which appeared in an instrumental version on

Twin Peaks: Fire Walk With Me

, but it no longer received the attention derived from the Twin Peaks phenomenon.

Julee Cruise was slow to release a third album,

The Art of Being a Girl

(2002), now without the collaboration of her mentors, and even longer to release the fourth and last,

My Secret Life

(2011), which included a version of the

Season of the Witch

, by Donovan.

Forgotten by the general public, however,

she did not stop working

, doing all kinds of things, such as appearing in an Off-Broadway play playing

Susan Sontag

, touring with Cindy Wilson of the B-52s, or being part of the Bobby McFerrin choir.

She has also collaborated with artists such as Khan (the magnificent

Say Goodbye

), Hybrid (

If I Survive

, among others), Supa DJ Dmitry (ex-Dee-Lite), Pharrell Williams (

Handsome Boy Mdeling School

), among many others.

She recreated classics like Its The End Of The World As We Know It

with her languid and precious style.

, by REM, or Space Oddity, by David Bowie, among others.

Although at times it could seem that she had disappeared, Julee Cruise was always there.

She left her personal mark scattered like fireflies in the night throughout three decades of music history, but you just have to close your eyes to see her fall, again and again, always to the tune of the immortal

Falling

.

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