China News Service, Tianjin, February 9th (Wang Zaiyu) On the 8th, the Tianjin Museum’s New Year’s Eve series of exhibitions “Eternal Paintings – An Exhibition of Ancient Paintings from the Museum’s Collection” kicked off.
On the 8th, the Tianjin Museum’s New Year’s Eve series of exhibitions “Eternal Paintings—An Exhibition of Fine Ancient Paintings from the Museum’s Collection” kicked off. The picture shows tourists viewing the exhibition. Wang Zai Yu Photography
The exhibition features 59 pieces/set of fine ancient paintings and cultural relics from the collection, including a total of 45 pieces/set of national first- and second-grade cultural relics. For example, the page of "Wash Hands Viewing Flowers" without inscriptions from the Song Dynasty, the most exquisite work "Flowers and Birds" by Qian Xuan of the Yuan Dynasty, the scroll of "Pine Plums and Cold Birds" by Lin Liang in the Ming Dynasty, and the scroll of Jin Runhai in the Ming Dynasty. The only handed-down volume of "Xishan Zhenshang Tu", as well as the Qing Dynasty Yuan Jiang's "Agarwood Pavilion Tu" scroll which inherited the Song Dynasty's idea of "investigating things to gain knowledge", as well as the scrolls of Xiang Shengmo, Wu Wei, Chen Hongshou, Dong Qichang and other great figures of the generation Many famous products.
The picture shows an unprinted page from the Song Dynasty "Washing Hands and Viewing Flowers" on display in the exhibition. Wang Zai Yu Photography
"Those who draw pictures are the great treasure of the country." It is understood that the Tianjin Museum has always attached great importance to the collection, protection and research of Chinese painting collections, and has continuously enriched and improved the collection system of paintings through various collection methods, forming a rich collection of ancient paintings spanning from the Song Dynasty to the Qing Dynasty and covering almost all famous paintings. The modern painting collection of the works can be called a history of Chinese painting composed of images. Among them, the collection of paintings from the Song and Yuan Dynasties are all famous in the history of painting; the representative works of painters representing major painting schools in the Ming and Qing Dynasties are rich in quality, and there are countless masterpieces.
The picture shows the "Huafeng Three Blessings" scroll by Yangzhou painter Zheng Banqiao of the Qing Dynasty displayed in the exhibition. Wang Zai Yu Photography
The famous deeds of these famous masters include "cultivating people and helping people with ethics", "clearly observing Taoism", "taking advantage of objects to wander the mind", or using scenery to express emotions, supporting objects to express ambitions, or focusing on exploring the formal beauty of pen and ink, or pursuing poetry. The mutual integration and influence of , calligraphy, painting and printing... are wonderful and spectacular.
The picture shows tourists viewing the exhibition. Wang Zai Yu Photography
Yu Yue, director of the calligraphy and painting research department of the Tianjin Museum, said in an interview with reporters, "There are many well-known works by famous artists in this exhibition, including the "Huafeng Three Blessings" by the Yangzhou painter Zheng Banqiao in the Qing Dynasty. 'Huafeng Three Blessings" 'Bamboo is a homophonic word, and has a beautiful meaning of longevity. We chose to display this work during the New Year, hoping to bring a wonderful New Year to the audience."
It is reported that the paintings in the Tianbo collection are comprehensive, rich in subject matter, and diverse in form. They are numerous and exquisite, and at the same time, there are also rare and rare domestically handed down works in the collection, showing rarity, uniqueness and systematic characteristics. Stopping to appreciate these precious paintings, you can quietly appreciate the ancients' worldview and outlook on life, gain insight into the ancients' state of mind, and their philosophical thoughts deep in the jungle. On the occasion of the New Year, you can feel the beauty of Chinese classical painting art. (over)