Esther Mucientes Madrid
Madrid
Updated Monday, January 22, 2024-08:15
Interview Jordi Évole opens season with C. Tangana: "Ayuso and Puigdemont have told me no but they will end up coming. They have to be prayed for"
Last night
Jordi Évole
told
C. Tangana
,
Pucho
for his people, that his behavior was as if he had been taken from a bacchanal of the Roman Empire, "eating grapes lasciviously."
Yes,
C. Tangana
could have been a Roman tribune in his other life, but he could also have perfectly been a James Bond without being an MI6 spy, an Al Capone of the 21st century without crimes on his back, at least without blood crimes, or a
revival
of Gregory Peck in
Roman Holiday
without his Audrey Hepburn.
At least, that's what it seemed like
Lo de Évole
wanted to take us with a
C. Tangana
to one of the most luxurious hotels in Santa Domenica (Italy), with
Pucho
eating, drinking wine, driving a convertible along its winding roads, enjoying of a massage or listening to songs in Italian while looking at the sea.
Évole
did it again, he loaded an interview, a program and the guest with symbolism again with a Jordi Évole who let himself be carried away, hypnotized, cajoled, traveling to the new world of the new
C. Tangana
.
For
C. Tangana,
according to what he himself said last night, he is no longer the rebel of yesteryear (and he is only 33 years old), although, as the Spanish proverb says, from those dusts come these sludges.
C. Tangana
is no longer the rebel we knew because he realized that "no one cares about you": "You remember me with more fear, believing me to be a rebel and the reality is that I was scared shitless. The exhibition has always given me a lot fear and then you realize that no one cares about you.
Interview
the sixth.
Jordi Évole opens his season with C. Tangana: "Ayuso and Puigdemont have told me no but they will end up coming. They have to be prayed for"
Editorial: SARA POLO Madrid
Jordi Évole opens his season with C. Tangana: "Ayuso and Puigdemont have told me no but they will end up coming. They have to be prayed for"
C. Tangana
has entered a new phase, a calmer, calmer, more restful phase, but with its essence.
The rebellion, no matter how much she tries to get rid of it, comes out spontaneously.
He now tries to measure, but it doesn't take much for him to get into the cloth.
He is still that artist who released hosts like bread, but now changing the forms, not the substance.
He did it as soon as the interview began when
Jordi Évole
told him that the first time he heard about him was as a result of the controversy in
Operación Triunfo
when he went to sing
Veneno
and vanished from the stage.
So,
Pucho
already explained it, but last night just in case he came back in and to make matters worse to start the program.
"I think they looked for it. I make the music and I leave because I don't really agree with the program.
OT
is a small trap for that
Veneno
," C. Tangana released.
"The lyrics of
Veneno
say an excessive ambition for women, money and the spotlight. Do you think they go on a program for that?"
Évole
then asked .
"Someone who goes to a program like
Operación Triunfo
is looking for success. I had the possibility as an artist to say something about this program and that is what I did," she responded.
And he got into the first mess of the night -pun intended-.
A few minutes later, the creator and producer of
OT
,
Tinet
Rubira
,
responded on
and track record, waste your time with us. We are just a television show. We don't play in your league."
It was going to be the first of the night.
C. Tangana
says that he has changed, but it is impossible for his essence to disappear.
If you ask him, he answers and does so by unleashing the same blows as before, but without cockiness.
And, the truth is, it is difficult to know which ones hurt more, the ones that go with pride and vanity, like then, or the ones that are thrown around as if nothing had happened.
A "very naked" Pucho
Sitting in a restaurant the days passed -
Lunedi
,
Martedì
,
Mercoledì
... - while
C. Tangana
continued to hypnotize
Jordi Évole
, who had already come with a certain predisposition, fascinated by the documentary that the artist recently released.
"I loved your documentary because there is a lot of risk. A
very naked
Pucho ,"
Évole
told him .
"There are people who think that I did it. The documentary is 'I offer my life and do what you want'. There are parts that you don't like so much but the art is in putting the meat on the grill."
And with that maxim he also faced the program, ensuring that he was nervous about the exhibition, almost as nervous as when he went to
El Hormiguero
for the first time and spent more than 2,000 on Prada clothes to feel "comfortable."
I don't know if I would be comfortable in
Lo de Évole
or not.
There were moments, even for Évole
himself,
when it seemed like it wasn't, but he put his all into it, there's no doubt about that.
C. Tangana
wanted to talk about his catharsis, his transformation, that he will never abandon music, but that now he wants to direct films, that for him success is, "as Machado said," that "the couplets until they are not the people sing, they are not songs".
"The most important thing is that people forget who that song was about because then they are from the town," he revealed.
And
C. Tangana
lives in a constant dichotomy.
He criticizes success, triumph, excessive ambition, but then he assures that what he wanted was "not to work."
"If you had not triumphed, what would have happened,"
Évole
asked him .
"If I had been able to stop working and control my time, I would not have dedicated myself to this. I dreamed of my manager - her manager at
Pans&Company
. I didn't want to work. I know it's worthy, but it's hard, very hard. It's not enjoy life. For me it was an obsession."
Because the second of the night came from
Pans&Company
.
Although throughout the day the promotion of the program on networks had already revealed that
C. Tangana
was giving the sandwich chain a good rant, you had to see
Lo de Évole
to understand it.
Before becoming
Crema
, before becoming
C. Tangana
and before becoming
El Madrileño
, while studying Philosophy, he worked, like many of his generation, in a
Pans
.
"What I didn't like was when Vanessa, who was the manager, came and told me: 'Well, today you're doing the closing and you're going to be there taking out papers until twelve at night, freezing from the cold.' Let's open the story:
Pans&Company
owes me at least 600 euros of hours. At that time my monthly payroll was 350 bucks. All they could rob you of if you didn't clock in correctly or if they changed your clocks, which was what they It happened to me. There I was really screwed. Now I'm scratching my head in case I want to make a movie... Now, no. If someone likes my music, they should never eat a fucking
Pans
again in their life. You have to put this in "Now I want him to come out," the rebellious
Pucho
responded again
.
History of the workers' struggle?
It didn't take long for
Yolanda Díaz , the Minister of Labor, to get on the
C. Tangana
melon bandwagon
: "When
Lo de Pucho
happens to you , remember that you have at your disposal the Complaints Box to the Labor Inspection."
The good thing about
C. Tangana
is that he doesn't care about hitting Pans or hitting a big record label, even the big label that put his first contract on the table,
Sonic
.
Although with more self-censorship,
Pucho
was also very clear about how this world works in which he entered knowing that he was risking it: "The day Sonic offers me my first contract for 200,000 euros, what you think is that it is a conscious decision that we are to enter to play this game that is going to be very long and that has a part that I don't like. It is important that when you don't win 200,000 euros you know the magnitude of those who win 200,000 euros who what they do is put a chip in a little kid ".
Well that.
C. Tangana and its addictions
C. Tangana
does not hide.
He seems timid, unattainable, impossible to break that kind of shell that has always accompanied him, conscious, precisely, that he had to protect himself, but he has no qualms, no qualms about going in and saying things as he sees them, to tell his story as he lived it.
Because
Pucho
wanted to be a writer.
As a child, with the baby still in school, he wrote a book about a day he went to the Cathedral of La Almudena with his parents and then to eat a chicken at Casa Mingo, he captured it in a book that he himself bound and gave it to them. He gave it to a Barco de Vapor representative who came to school.
And his story, despite being only 33 years old, knows that it is the one that many are looking at.
She doesn't like him, but she knows it.
So when
Jordi Évole
asked him about his addictions, Pucho did not hide either: "I am in a good moment in my relationship with addictions. I have never had any problems. It is this feeling that the character or the party can dominate me that It worries me (...)
The joints blew my mind.
The joints opened a window that never closed again. They opened something that has to do with fear and I stopped smoking joints."
Now you are looking for balance.
The tour has affected her, we don't really know why, but now she no longer enjoys the party and she doesn't want to lose that.
"
I like the party and I don't want the party to disappear from my life
," she confessed.
"I have always lived with her and now there is an effect that makes me feel bad. There are many small details, but I want that to change because the lack of inhibition, dancing, being with friends is the best and it is something that I wish for my son and my brother. If when you get up the next day you can laugh that's good, if not, bad. The key is if you can laugh the next day."
Now,
Pucho
no longer laughs.
He talked about his personal life, although he didn't seem to find it very funny, but
Jordi Évole
insisted.
They were described as a complicated couple.
He denied that You stopped loving me had anything to do with
Rosalía
and left the door open to a possible collaboration.
He confessed that he wanted to have many children, but not now.
And he revealed that he is better now: "I have been a pimp, arrogant, I have been very insecure, but I think that's it.
Now I have my little problems, but they are not those of a teenager
."
"With this change you're making, I notice you're more comfortable with yourself,"
Évole
told him at the end of the interview.
"I don't want to lose my passion for doing something worthwhile. I love putting everything on the line to give my best. Just like Kobe Bryant would do. And I miss that in the world. I'm afraid of
losing my passion." passion
".
The Madrilenian
.
"Non credevo possibile / Si potessero dire queste parole / Al di là / Del bene più prezioso / Ci sei tu..."