Isabel Celaá is the casual narrator of delirium. She lives trapped in the exhausting role of spokesperson since the motion of censure. It gives the impression that he undertakes prayer without a clear idea of what he means. It is placing accessories, one after the other, as if a syntactic game of Tetris was being waged on its head . When it seems that the point is nearing the end, a new complement moves it a little further and there are phrases that threaten to extend to infinity. Whenever the
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