She loves Paris "more and more". Sign for Laetitia Casta that it has not always been obvious. "I have a problem with the city in general, I like the countryside, I love nature, and to be in the city, there is something that is not always natural", confirms the actress, at the micro of Europe 1, rue de Grenelle in the 7th arrondissement.
It's here that she made an appointment with Frédéric Taddéï, on Sunday, for the show En promenade avec , while two films in which she plays come out at the moment, first Louis Garrel's loyal man , her husband, already on the bill, and The Incredible Story of the Cheval Factor , theatrically released on January 16th.
"People are generally benevolent". Two films, two eras, and especially two women. "There is a big gap between the two but there is something similar in a desire for true love, each using different methods," says the actress of her characters crossing the boulevard Raspail. By the way, she accepts a selfie. "It's more complicated to say no than just doing it, people are generally caring," she says.
"I was a kid" Managing his image went hand in hand with his modeling debut at the age of fifteen. "When I started photography, the first time, I did not recognize myself, it was strange, another woman, I discovered a woman-woman while in life, I was a kid." She has also embodied the woman, the citizen, becoming Marianne in the early 2000s (photo above). "I was doing blue bicycle , I was a resistant young woman, it was funny because it was a bit like the character I was playing."
Laetitia Casta is also called Marianne in The Faithful Man . It's always that name she borrowed in the play Scenes of married life . "It's something that keeps me going, the Marianne bring me good luck," she says.
Heard on europe1:
The idea of doing like everyone else, his homework, passing his baccalaureate, his license, going to nightclub, these are things that always frightened me
"Simply being yourself, it takes time". In front of the National Assembly, the duo passes the door of the brewery Le Bourbon. The actress has chosen to meet the journalist Léa Salamé, whom she enjoys instinctively, having met only twice. Their common point is perhaps to have managed to pursue a career. A little later, Laetitia Casta confides: "To have a career ambition, it is necessary to fight, to have a carapace, to become almost aggressive and for me, the real victory for a woman is to get rid of everything. that and stay soft, do not need to prove anything and just be yourself, and it takes time. "
In the brewery Le Bourbon surrounded Léa Salamé and Frédéric Taddéï.
Afraid to go to nightclub. At 40 now, she does not say at all nostalgic. "I do not regret anything", and especially not this normal adolescence that escaped him. "I would have been unhappy, I think, the idea of doing like everyone else, his homework, passing his baccalaureate, his license, going to a nightclub, these are things that have always scared me", explains the actress, who was also very shy at first.
Laetitia Casta with Prune Nourry and Frédéric taddéï on a garden bench at the Musée Rodin.
"The body, something natural". But a shyness that does not meet the modesty vis-à-vis the body. She explains it in the garden of the Rodin museum, surrounded by nude sculptures. She made an appointment with her friend, the sculptor Prune Nourry. "The body is indeed for me something natural, you come to the naked world, whether you're a man or a woman, and afterwards you make it a whole sin." Does that come from religion? crunched in the apple? Because she was the most curious, the most dangerous? ", she concludes, still wondering about the woman.