News from the island
- A bomb officer was killed near a church east of Cairo
- Bolton in Israel to reassure her about the US withdrawal from Syria
- Invitations to demonstrate today in Sudan and the government warns of "sabotage"
- Bashir to ask him to step down: Prepare for the elections of 2020
- Newspapers: Because of Israel, Egypt sought to prevent the broadcast of the interview, "CBS"
Those of us who do not remember what mothers and grandmothers did when they called on their children to roll their heads, and still jump to your awareness of this, whenever you return to your dream of the warmth of a dreamy childhood, your mother would call you the Moroccan dagger: "Aji Ouldi Naflak Rasak".
When the mothers finish their tired daily work, especially the mothers who live in the Moroccan countryside, God helped them to rest in the middle of the day, and to hide from the burning sunburn, the mother was shaking her child's head and fondling the hair of his shaggy hair, searching for "lice" And the "Saiban" because of the accumulation of dirt, and dirt from the frequent play with the boys warm, and feel his hair Fahim was telling him the amazing stories that go back to the old times, and mother was so close to her son, and gave him love, affection, You: "God makes you d Ra and report ", and you find yourself dazzled, a bird came out for the first time, his mother taught him after her nest fly; or berserk dowry people have been appalled Pettmrdh.
When I grew up, my mother's great dream grew up, and with it my grandmother's dream, and I entered the university, I began to understand the meaning of the word "al-fali." It was not a word of derangement, as I thought it was, but a clear word from me. In it about lice, and the only problem: the length of meditation in it .. ". The poet Alajaj (Abdullah bin Ru'ba al-Tamimi al-Sa'di died in 90 AH) from the sea of simple:
The vines are fragrant
During the striking where the Vifly Mfgli
Of the heads and the most humiliating
Except that their enemy has fallen into the clutches
From this I began to use this word with my students in the analysis of prose and poetic texts; the phillian is a process that focuses on the literary text, to dig deep under its soil; in search of precious jewels, or a human sense buried in the text.
When did the criticism arise?
| " Criticism before it is an arduous approach; it is fun, travel in the worlds of the upper and lower text, before you draw arrows of criticism for literary work, you enjoy his beauty " |
The writer is the first critic. When the writer finishes his creativity, he then wears the hat of the critical reader, and he performs his work, fixes it, revises it, attracts it, and scolds it before he takes it out. But offers his work a manuscript, or Markona to some of his loved ones, and his companions who see them as worthy of criticism, and additions bright.
Cash selection
Of course, a good critic can not criticize all his literary works; the critic chooses with his taste good texts that deserve reading and criticism. The taste, as is known of most critics, occupies the first stage of the critique process. I quote here a beautiful talk about the taste of the Moroccan writer Ahmed Bouzfour: "Literary taste like a child is narrated, taught, nourished, given, and nurtured daily.
But this taste is in fact a combination of what we have read of the literary texts, and the fruit of its fruits, and whenever these texts are classic, exemplary, and fun ... The more I like this taste And gained experience and automatic discrimination. The zero memory of the texts does not taste at all. "
Thus, the approach of the texts to the logic of choice by the palatable taste; otherwise, criticism becomes futile; Ibn Abed Rabbo, author of "The Unique Contract", says: "The choice of speech is more difficult than writing." "We do not practice criticism for criticism, but to liberate ourselves from what we do not do," Moroccan thinker Mohammed Abed al-Jabri said. Is dead, or submerged in our mental being and our cultural heritage. "
Does the critic spoil the author?
Any critical work that accompanies the literary achievement may lead to it, or descend down to the bottom of it. The importance of criticism lies in the improvement of literary work and the restoration of what the author has corrupted or overlooked. It records what the reader has done, and the critic must be equipped with knowledge, Cultural, and various tools, as the critic carrying these things can provide the literary text qualitative additions to benefit the work, and raise it without losing its positives; but if the critic is not the owner of various instruments of cash will repeat provisions inevitably ready loaded with other texts, This is valid for all texts.
Criticism is a responsibility, a matter of sensitivity and deliberation. The creation of texts, and their writing, takes time to mature over a low heat. The literary text needs constructive criticism, far from rhetoric.
Some text producers are also critical of critical studies of their works, which makes them lazy; simply because they do not want to write on demand or as desired by the recipient. And the producer of the text to have the eye of the point read the benefit of the owner to improve his work, and overcome the lapses, and leave everything that is negative aims to undermine the writer as do some of the ideological critics who look in the author's references without delving into the literary work, and study objective study Scientific, but their criticism in the criticism of Prania, has nothing to do with literary work.
Do all texts need cash?
There are many literary texts that do not need a rigorous monetary process; because these texts simply taste, do not criticize, tattoos, and do not rub, because if you rub it you critic does not give you anything; you must be careful and careful in your treatment of texts, But you have to draw close to her, listen to her pulse, and listen to her gently; because hearing the father of the queens, as Ibn Khaldun says it does not like to abuse them, some texts like the son of Adam if you treated him cruelly from you, and left you not sorry what I did.
Because the good text does not speak to you in the first meeting with him, he is like a bride bride on the night of her wedding does not reveal to her husband everything: Vtkon Khajali, Frightened just to give out looks, smiles. Is not the literary text needs a long association, and whenever I leave, I promised him new and found him a text other than the text that he was? Criticism is a responsibility, a rudeness, and a tan; and the creation and writing of texts takes time to mature on a low flame. The literary text needs constructive criticism, far from rhetoric, and not in amateur criticism, but in professional criticism.