On the dance scene of the Red Theater at New York University Abu Dhabi, Camille Brown and her band emerged with confidence to greet the audience and tell them the story of the struggle of the African American, a story that was not narrated by words, ), Was accompanied by pop music sometimes and jazz sometimes, dance and dance more often, so Brown liked to convey what suffered blacks in earlier times, wanted to say that all kinds of dance and music embodied on the stage is the product of African culture found its place in America, which overcame and treated Racially and ethnically with these immigrants from the regions of the Yolk cotton and the colors that adorn their clothes, but eventually managed to dark-skinned owners to have their presence in the white continent, humanity and law.
The show, which lasted for a full hour, began individually with Camille Brown, and moved to a double, triple, and full-length dance. She tried to express the sequence that had taken place with her grandparents, and how, together with their solidarity, they managed to achieve justice in their unheard cases The audience interacted with them in this celebration of African culture, danced and merged with dance performances, jazz, contemporary dance, hip-hop and live musical performances, which came with a playful performance through the gestures and traditions of African Diaspora communities.
The ensemble was consistent with the red theater design at New York University, where lighting played its role as a complement to Brown's tales. Lighting design increased the credibility of serial stories. Two paintings of the Zinta Theater show the suffering of African migrants and their access to freedom, having tasted all kinds of torture and marginalization. The presentation is coherent and complementary to all the elements that accompanied him on a journey centered around the concepts of self-empowerment and love in the American-African way, society and brotherhood. African choreographer Camille Brown, collaborating with music director Alyson Miller, rhythmist Wilson Torres, violinist Juliette Jones and composer and pianist Scott Patterson, sought to have her feelings directly with the audience, watching her and her band imitate them through a dance and through Funny scene to hear their laughter, and was able to end the show with a violin playing and the whining that was issued to confirm that the story is not over yet, because in the quilt of these many tales that deserve to be narrated.
Camille Brown
She has been a recipient of the Princess Grace Award four times and has been a Fellow of the Ford Change Art Project, the Jacob Bello Performing Arts Award, the Guggenheim Fellowship, the Ted Foundation Fellowship, and other prestigious awards . Brown also participated in the Ted film, "Visual History of Social Dance in 25 Movements." She has also made artistic performances commissioned by the American Elephant Dance Theater, a number of famous Broadway theaters, and other prestigious institutions.
- "Ink" a stage play accompanied by pop music, jazz and belly dancing, so Brown quoted what the blacks had suffered.