Munira Hajjlawi-Sousse

"Someone talked to us, yesterday I wanted something from human being, so I went out with a friend of mine who is loyal to the arts and dances. Ding I love fat people close to the souls of Amin, and we went to Abi Jafar beach, we are training in artistic swimming and tourist trips. I am on a motorbike with an invisible force driven by atomic energy. .. ".

Kamal Al-Shatti, a Tunisian journalist and professor of media and communication, did not exceed fifteen years of age when he wrote his first station, and it was a "joy" that he drew from a beautiful summer day in Sousse governorate that he spent with one of his friends in fun and fun.

fascination
Since his early childhood, the Tunisian writer was greatly influenced by the art of standing and was fascinated by him with any infatuation, and he discovered his affection for him when he studied the shrines of Badi Al-Zaman Al-Hamdhani in the secondary stage, to move later from the stage of admiration to creativity, writing and production, and he accompanied this passion until today.

Al-Shatti preserved the advantages of standing as a literary race, and was inspired by Hamdhani and did not imitate him - as he confirms to Al-Jazeera Net - so he kept in his shrines "Abu Al-Fath Al-Iskandari", champion of Al-Hamdhani, with what he represents from the miserable writer's personality, and we are optimistic of the optimism and goodness that the word "Abu Al-Fath" carries.

The reader of his shrines notes his commitment to the encouragement, which aims to attract the attention of the recipient, and the personality of the narrator and the resourceful, and the most important of the good deeds.

Production stage
Al-Shatti (68 years old) translated his passion for residence by issuing his first collection in 2002, entitled "Seventeen held in the adventures of Al-Baida and Al-Jabal" during the era of former Tunisian President Zine El Abidine Ben Ali, and was immersed in coding and suggesting the lack of freedom of expression at the time, according to his statement.

He says that those who read this group as a regular reading will see it talking about ordinary hunting scenes, but whoever delves deeper beyond its lines will find harsh criticism of the previous regime and the prevailing political and social conditions at the time.

Al-Shatti benefited from the climate of freedom of expression granted by the Tunisian revolution to the country, and in 2018, he issued his second series of shrines, entitled "Laughing Like Crying", in which he passed the stage of the allusion to the clear statement.

Tunisian academic and writer Kamal Al-Shatti expresses through the literary shrines a crisis in the Arab self (Al-Jazeera)

Standing and reality
As far as this group laughs its Arab reader on the surface as much as it cries if it deepens its meanings, as it will find itself in a crisis and despair from the various components of the political class currently ruling in Tunisia and the Arab world.

Among the most prominent maqam of this group is the “media”, which is critical of the media chaos prevailing in the current TV and radio channels in Tunisia, and the “maqam al-layl” that deals with the conditions of the Arab regimes surrendering to the domination of Western powers.

In its conclusion, he says, "As for the Arab people of my nation, they are still muddling between sugar and drugs. This builds a base for sabotage and darkness, and the other is groping in the peephole the key to salvation."

Funny style
Shatti does not live in isolation from the concerns of the Tunisian and Arab citizens alike, as he draws the stories of his maqam from his daily living reality in a funny manner, but he is a critic who rejects his deteriorating political, economic, social and cultural conditions.

Among his most recent writings is the establishment of "parties" critical of the various ruling parties in Tunisia, in which he says, "Abu al-Fath left the parties of the square, merging this scholarship. He set out looking at the two books of Al-Raed newspaper, so he was astonished at the abundance of names derived from the values ​​of patriotism and the sacrifice of martyrs ...".

Slap of the Century
Expressing his strong rejection of the so-called "deal of the century" announced by US President Donald Trump, Al-Shatti wrote the "Slap of the Century" criticizing the Arabs' acceptance and welcome of this deal, according to his assertion.

He says in it: "Abu Al-Fath said: I entered the Khan and sat down to the Khawan, listened to a preacher who was stricken with Henan, strangled from his nostrils and slapped the ears. He curses everyone who sold the case or the Khan, saying that the solution lies in a solution, reached by the owner of the contract and the solution ...".

Al-Shatti says he has gone beyond writing to suggest clear statements (Al-Jazeera)

Al-Shatti benefited from the beautiful and concise style of the maqamah and the beautiful and rich Arabic language in order to positively affect the psyche of the recipient, given that the maqamah is "implanted directly into the conscience".

ungainly
Al-Shatti believes that standing as a literary race is the most influential today, and the evidence for this is the great interaction he received after his release of his two groups from Tunisia and abroad such as Jordan, Palestine, Algeria and Egypt.

On the other hand, the scarcity of the writers in this race is due to the fact that "it is an art that is difficult to master in terms of mastering the use of innovative enhancements in a spontaneous manner, and these possibilities are not available to anyone because they are talent."

Al-Shatti is preparing to issue his third set of shrines that will draw from his internal Tunisian and Arab reality, and he is determined to continue writing in this art "as long as he feels the pain of the Arab citizen and his concerns."