TV Controversy in networks why Laura Pausini did not want to sing the Bella Ciao in El Hormiguero
When this Monday
Laura Pausini
sat in
El Hormiguero
with the rest of the
coaches
of
La Voz
, surely at no time did she think that her refusal to sing the
Bella Ciao
was going to place her on the target of criticism and controversy.
It was a request from
Pablo Motos
, who I don't think he thought about the mess he was going to cause his great friend.
The
Bella Ciao
returned with
La Casa de Papel
and Spain became a
lo, lo, lo
, but the Bella Ciao has a lot of history behind it, much more than the script of a group led by The Professor to rob the Bank of Spain.
Lets start by the beginning.
It all started when
Trancas and Barrancas
proposed a game to the
coaches
of
La Voz
.
The interviewees were divided into pairs:
Pausini
with
López
and
Fonsi
with
Orozco
.
The game was called
Fulgor
and consisted of the ants saying a word and each team had to sing a song that included it.
At one point in the test,
Pablo Motos
and
Luis Fonsi
began to sing the
Bella Ciao
.
"No, no, no, no. It's a very political song and I don't want to sing political songs," justified the Italian interpreter.
Seeing her reaction,
Pablo Motos
quickly went on to another song and it seemed that she was going to stay there, but no.
Laura Pausini
's refusal
to sing the
Bella Ciao
provoked a barrage of criticism on social networks, for a change too, which was further inflamed when the socialist deputy and former deputy secretary of the PSOE,
Adriana Lastra
, wrote a tweet referring to
Laura Pausini
in these terms: "Refusing to sing an anti-fascist song says a lot about Mrs.
Pausini
, and nothing positive".
Why do we want more?
There is nothing we like more on
than a politician, whether from one side or the other, getting involved in the controversy of the moment to fuel even more those desire for Twitter war to which we should already be more than accustomed.
3,729 likes and counting.
Although also thousands of responses from
Laura Pausini
fans (and also from those who don't) standing up for the artist.
And in the face of such a stir,
Laura Pausini
could have let the storm pass, but no, either.
Laura Pausini
decided to respond and explain again in case it wasn't enough to say that she didn't want to sing a political song (it seems that no, it wasn't enough).
Laura Pausini's response to criticism for not singing the Bella Ciao
So just as
Adriana Lastra
and thousands of others used Twitter to attack
Laura Pausini
, the Italian artist used it to explain herself again.
He did not quote
Adriana Lastra
, but in the face of the stir created by
Adriana Lastra 's tweet,
Laura Pausini
's explanation
became more of a direct response: "I don't sing political songs, neither on the right nor on the left. What I think of life is I've been singing for 30 years. That fascism is an absolute shame seems obvious to everyone.
I don't want anyone to use me for political propaganda
. Don't invent what I'm not."
Clearer water.
First, the fact that
Pablo Motos
and
Luis Fonsi
sang the
Bella Ciao
and invited
Laura Pausini
to join them, in no case had any political intention behind it.
Pablo Motos
did not choose the
Bella Ciao
with the original meaning of the song, but with the meaning that
La Casa de Papel
has given to a song of which there are actually two versions.
The version that has nothing to do with the struggle, nor with the resistance, nor with the Italian partisans, the one that responds to
the workers of the Italian rice fields
, composed by composed in 1951 by
Vasco Scansani di Gualtieri
and that talks about how beauty is lost when working in such a hard 'lavoro', and that goes like this:
Alla mattina appena rise, or beautiful ciao, beautiful ciao
Bella ciao ciao ciao, alla mattina appena rise, I
'll go to work ..!
(
In the morning, barely up, oh bye-bye beauty, bye-bye
beauty, bye-bye beauty, bye-bye, in the morning just up,
I must go to work.)
A lavorare laggiù in risaia, o bella ciao, bella ciao
Bella ciao ciao ciao!
A lavorare laggiù in risaia Under
the sun that picchia giù!
(To work, to the rice paddy, oh goodbye beauty, goodbye beauty beauty
goodbye goodbye goodbye. To work, to the rice paddy,
under the stinging sun).
And the version of
La Casa de Papel
and that it is political.
The version of the Italian partisans, made up of socialists, communists, liberals and anarchists, between 1943 and 1945 who were part of the
Italian Resistance
, the resistance of Italians
against Nazi German forces
occupying Italy.
Yes, the anti-
fascist version
, the version of the struggle, the version that in Italy is part of history, the
political version
and the version for which
Laura Pausini
said no.
Not because she is anti-fascist and not because
Laura Pausini
is quite the opposite, but because
Laura Pausini
knows what the
Beautiful Ciao
.
Because yes, the
Bella Ciao
, for many
Casa de Pape
l behind it, is a political song, and
Laura Pausini
does not want, she did not want to sing a political song in
El Hormiguero
because she does not sing political songs from one side or the other.
Do you mean that Laura Pausini is a fascist?
Well, look, no.
It means that
Laura Pausini
does not sing political songs from one side or the other, period ball.
Una mattina mi son svegliato,
o bella ciao, bella ciao, bella ciao ciao ciao!
Una mattina mi son svegliato
e ho trovato l'invasor.
(This morning I woke up,
oh goodbye beautiful, goodbye beautiful, goodbye, goodbye, goodbye beautiful! (
Goodbye beautiful
)
This morning I woke up
and discovered the invader).
O partigiano portami via,
o bella ciao, bella ciao, bella ciao ciao ciao!
O partigiano portami via
che mi sento die.
(Oh partisan, I want to go with you,
oh goodbye beautiful, goodbye beautiful, goodbye, goodbye, goodbye beautiful!
oh partisan, I want to go with you.
Because here I feel like dying.
The curious thing is that the song is Italian, it talks about the Italian resistance, it was a fight cry of the Italian partisans, and it is in Spain where
Laura Pausini
has been branded as a fascist.
In fact, with the two explanations that
Laura Pausini
has given , the one from the live show at
El Hormiguero
and the one afterward on Twitter, I risk my neck that if
Pablo Motos
and
Luis Fonsi
had sung the version of the rice cookers,
Laura Pausini
would not have had no problem singing that
Bella Ciao
.
What would have happened if Laura Pausini sang the Bella Ciao in El Hormiguero?
But then, since that version is not a popular voice, the hymn to the loss of beauty would not have been understood, and today we would be talking about Twitter throwing itself on top of
Laura Pausini
because she sang an anti-fascist version.
Because the story is not whether
Bella Ciao
is an anti-fascist song or not, but rather that an internationally recognized artist sang an anti-fascist song without paying attention to whether it was the version of the rice cookers or the version of the partisans, because the case is to stir up.
And since
Laura Pausini
is stupid, she doesn't even have half a hair, she thought this.
If she sang the partisan
Bella Ciao
she was going to get the octopus for singing an anti-fascist song.
What she did not think at any time is that because of her refusal they were going to turn her into the new image of fascism.
In her attempt to not position herself, she ended up being positioned and where she didn't want to be.
This summer, at a festival in a town in Spain -after the one where he got involved with
Laura Pausini
, better not to name- the orchestra hired on one of the open-air nights decided to perform the
Bella Ciao
with the same intention with which they did it
Pablo Motos and Luis Fonsi , for the relevance that
Bella Ciao
has once again had
thanks to
La Casa de Papel
, and without even thinking about the origin of the song, much less its meaning.
The orchestra played it with full force while images of La Casa de Papel
and a war that could not be identified
were interspersed on a screen in the backstage area .
The
Bella Ciao
that here has become a kind of
I will survive
.
They could be images of the Spanish Civil War as they could be images of the Italian fight against the Nazis.
Neither red nor blue.
Images from a Netflix series mixed with images from who knows what war.
And then beeps began to be heard, many stopped dancing and others began to jump absorbed by the force of that moment from
La Casa de Papel
in which the
Bella Ciao
sounds .
The performance ended and the singer was forced to blurt out "good people of XXXXX, I'm sorry."
Is it now understood why
Laura Pausini
refused to sing a political song?
This happened in a town with no more than a hundred people, imagine in the most watched program on television, live and with hundreds of fingers waiting to post the tweet that would sink
Laura Pausini
.
The problem is that she didn't care if she said she didn't or if she would have sung it because the point is to show off that division.
Laura Pausini
did not sing it because
Laura Pausini
knows its meaning perfectly, she knows that division that is increasingly present in Spanish society and she did not want to enter that war that neither goes nor comes to her.
Does anyone believe that yesterday in Italy the one that got mixed up here got mixed up because
Laura Pausini
refused to sing the
Bella Ciao
in
El Hormiguero
?
Well no.
And nothing more is needed.
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