Make art achievements better serve high-quality life (adhere to "two innovations" to write epics)

　　On December 14, 2021, I attended the opening ceremony of the Eleventh National Congress of the China Federation of Literary and Art Circles and the Tenth Tenth Congress of the Chinese Writers Association together with representatives of many literary and art workers. I listened to the important speech of General Secretary Xi Jinping on the spot and felt extremely excited.

General Secretary Xi Jinping emphasized: "The broad and profound Chinese civilization is the unique spiritual symbol of the Chinese nation, the foundation of contemporary Chinese literature and art, and the treasure of literary and artistic innovation." Excited.

　　In the long history of Chinese civilization, fine arts, as an important art category, have preserved a rich cultural heritage.

Under the nourishment of the excellent traditional Chinese culture, modern and modern art masters feel the change of the times and create many art classics.

These works carry forward the Chinese spirit, condense the strength of China, and become an important resource for enhancing cultural self-confidence and developing aesthetic education.

In this sense, taking the classics of art as the starting point, innovatively interpreting the profoundness of Chinese history and the development of the times has become an inherent need to construct the aesthetic style of the new era.

The documentary "China in Art", which was broadcast on China Central Radio and Television Station, is an active exploration of creative transformation of modern art resources in order to promote the innovative development of aesthetic education.

　　Excellent works of art express emotions with lines, convey connotations with schemas, and write spirits with colors.

Many of the outstanding modern Chinese art works are collected in the National Art Museum of China.

With a high degree of ideology and artistry, these collections show the indomitable spirit of the Chinese people in the great historical process, as well as the aesthetic creations of different periods.

How to further revitalize the rich art resources and let the influence of art works out of the art museum is an important task of the New Era Art Museum.

In recent years, the series of exhibitions "Revitalizing the Collections of the National Art Museum of China" have been warmly welcomed by the general public.

This makes us more clearly aware that the people have very urgent aesthetic needs, and there is a broad space for development in terms of better serving the people's high-quality life needs with art results.

Therefore, the National Art Museum of China has cooperated with China Central Radio and Television Station to carefully plan exhibitions and art documentaries, and actively provide academic support for programs such as "China in the Fine Arts".

　　Today, through the medium of television, excellent works hidden in the palace of fine arts are more directly accessible to thousands of households.

"China in Art" selects Chinese modern and classic art works, and vividly tells the cultural traditions and the stories of the times behind the works in the dimension of the interweaving of tradition and modernity.

Sun Zixi's oil painting "Before Tiananmen" in the New Year's picture color, outline and flat painting, Wu Guanzhong's oil painting "Taihu Goose Group" in the white brush strokes, freehand situation, Fu Baoshi's Chinese painting "Pictures of Rivers and Mountains" in Chinese painting, Huang Binhong Chinese painting "Wan Song" The ink techniques in "Mist" are vividly reproduced.

The documentary leads the audience to pursue the roots of artistic traditions, and tells the origin of the artistic techniques behind the paintings and the origin of the Chinese spirit, so that the excellent traditions will shine again in modern times.

　　With the help of documentaries, fine art classics are given new life in the digital age.

TV technology makes the static images move, and in the interaction of sound, light and commentary, a new and beautiful world is recreated.

With the movement of the picture, the audience can appreciate the atmosphere and charm of the work.

The documentary also removes the distance limitations of viewers when viewing paintings in art galleries.

"China in the Fine Arts" uses 4K high-definition photography technology to present the details of the works in front of the audience, leading the audience to enter the microscopic world of art.

In this world, the brushstrokes of oil paintings have a three-dimensional sense of mountain peaks, standing on the canvas, and the hills and valleys in the chest are truly stacked with a brush; Wet, overwhelm.

These ultra-high-definition visual presentations bring great aesthetic satisfaction to the audience.

"China in the Fine Arts" also uses 3D modeling technology to split the small elements in the painting, and then through the dramatic and story-based design of the movement trajectory, it guides the audience's point of view to cruise in the painting.

The 3D modeling technology is combined with the first perspective, allowing the audience to be "immersed in the scene", immersed in the classic paintings, and experience the visual impact brought by the paintings.

　　The Chinese nation has a long and profound tradition of aesthetic education.

Since the 18th National Congress of the Communist Party of China, the importance of popularizing aesthetic education has been highly valued.

Excellent art TV programs are also an important booster for good aesthetic education.

The classic works collected in the National Art Museum of China, as well as the new creations of contemporary art workers, depict a credible, lovely and respectable image of China through "China in Art".

The paintings excite Qi Baishi's feelings as a "people's painter", Fu Baoshi's patriotic sentiments, and Huang Zhou's feelings about the construction of the Acura era... Through this documentary, people can see the hard-working and brave Chinese people and see the great Chinese spirit.

　　In the era of new media, images are playing an increasingly important role in cultural communication.

Media professionals, practitioners of museums and art galleries, and art workers are also seriously thinking about how to improve the dissemination of literary and artistic works, and are constantly seeking new dissemination methods.

At the same time as the broadcast of "China in Fine Arts", "Beauty in the New Era - Special Exhibition of the Collection of the National Art Museum of China (Phase 2)" is open to the public.

A phenomenon worthy of attention is that, as an important part of the exhibition content, many precious images provided by the Central News and Documentary Film Studio (Group) that reproduce the creative experience of the older generation of art masters are played in the exhibition hall.

The audience and the media paid attention to these precious images.

On new media platforms, this series of images has also gained a huge amount of playback.

　　We are delighted to see works of art reinvented in the medium of television.

This kind of "new" comes from the continuous empowerment and continuous upgrading of new technology conditions, new communication thinking, and new promotion methods.

Not only "China in Art", "Party History in Art Classics", "Olympics in Art" and other programs, but also through the innovative integration of "idea + art + technology", it explores new ways for the combination of TV art and art creation. road.

These programs use the latest audio-visual technology to shorten the distance between works of art and the audience.

　　It is believed that the beauty of art and the beauty of television will continue to unite and release energy to provide people with more abundant spiritual nourishment.

　　(The author is Wu Weishan, director of the National Art Museum of China)