• Thom Browne, 20 years revolutionizing the gray suit: "Everything I create is a version of something I would like to wear myself"

  • Who is Robert Wun, the new 'enfant terrible' of Haute Couture who sets wedding dresses on fire

  • Why Gucci is an obsession for rap and not just rap

Generation Z already has its

John Galliano.

Harris Reed

(1996), born in Los Angeles, based in London (he lives in the iconic Notting Hill neighborhood with his partner, Eitan Senerman), has all the necessary attributes to succeed in today's complicated world of fashion.

To his more than demonstrated genius and professional consistency, he adds the

careful cultivation of a public image

that takes advantage of a

distinctive physique

- soft and stylized -, his communion with

values

​​recognizable by his generation - especially that of gender fluidity -, his

bond with celebrities

(especially the actress

Florence Pugh,

his definitive muse) and the

exhibitionism

necessary to be significant almost daily on social networks.

Harris Reed is, without a doubt, the best Harris Reed model.

Since 2022 he has been creative director of the

Nina Ricci brand,

where he arrived after gaining notoriety, among other things, for dressing

Harry Styles

for the report that in 2020 would make the musician the first man to star on the

cover of 'Vogue'.

Both Styles and Reed share a 'genderless' idiosyncrasy, which made their association especially pertinent, fostered by the influential

Anna Wintour

(director of the magazine's American edition) and which has since continued to bear fruit.

Actress Florence Pugh, with a piece from Harris Reed's fall-winter 2023 collectionPHOTO: MARC HIBBERT/@ARTWORLD

To give an outlet to everything that

"non-binary romanticism",

in its own definition, has to say, in addition to collaborations with greats like

Dolce & Gabbana

- he dressed Iman for the

2021 Met Gala

- the couturier also has his own clothing brand, to which he reserves his most personal creative universe.

From this he has just presented a collection, titled Shadow Dance, which, like the highly praised one by

John Galliano

for

Maison Margiella,

finds its inspiration in the 19th century.

In the case of Reed's, in the

Victorian world,

shadow puppets and fairy tale beings.

The result, architecturally crafted evening dresses with a dramatic hourglass silhouette that once again demonstrate the ease with which their creator moves in the combination of volumes to achieve a mysterious and somewhat nostalgic sophistication.

Fluency as a philosophy

But Reed wants to go further than fashion.

Or, better yet, further 'with' fashion.

This is how he makes it clear in

'Fluid.

A Fashion Revolution'

(ed. Abrams, New York), a book that is a mixture of a

personal photo album

(we see it, for example, in 2006, a 10-year-old 'baby' with a long blonde wig, high boots and lipstick. reds),

fashion photos,

autobiography,

gallery of 'conquests' (their covers and their 'celebrities', from

Beyoncé

to

Emma Watson

or

Selena Gomez)

and

manifesto.

Because, as he promises from the title, this

song to fluidity

does not remain fashionable or exclusively personal.

It is approached from history, philosophy, sociology, psychology and even business.

The cover of 'FLUID.

A Fashion Revolution' by Harris Reed (Abrams, New York).

Dedicated "to all the bullied

queer

kids on the playground who dream of being heard, seen, and valued," the book argues that

fluidity

"is capable of moving, changing, and doing it smoothly,

with grace.

Gender

fluidity

is "inspired by these definitions. It refers to the change, over time, in a person's

gender expression

, their gender identity, or both at the same time."

"At its core," Reed clarifies, "flow is an exploration of who you are. This can be scary, like going into the darkness of your basement when you were a small child (...). But it

can also be very liberating. ".

Actress Emma Watson, wearing a recycled wedding dress over reworked old tuxedo pants, at the Earthshot Award ceremony.PHOTO: KARWAI TANG/WIRELM

Fluidity sells, but it is not unisex

In the fashion business, the designer explains, that fluidity is a rising value: "In 2019 more than half of Generation

Z

shopped outside the department of their sex. This led to a boom in

gender neutral

or

clothing unisex".

Reed's position, however, is very far from that

not only

reductionist,

but in some way castrating

approach

:

"

Fluency

is a way of being, of expressing oneself...

It is not unisex clothing."

On the contrary, hers is exuberant, striking,

devoted to the

most marked curve, and when she addresses men she abounds in motifs until now restricted to the female spectrum.

He is very clear about who he is addressing:

"My client

is someone who

wants to attract attention,

cause a stir, who wants to be unique, wear a 'demi-couture' dress and feel fabulous. An actor in his own right, crossing genres." and even the worlds." A pioneer. Like him, let's go.

"My hands with my jewelry collection with an H-shaped signet ring by Alessandro Michele from Gucci," describes Harris Reed himself. PHOTO: HARRIS REED

  • Fashion trends