Beijing, March 3 (Reporter Gao Kai) The first Chinese Film Screenwriters Week was held in Quanzhou, Fujian Province before Sunday, and the first China Film Screenwriters Week was themed "Tribute to Screenwriters", covering the first "China Film Association Cup" Honorary Film Festival, China Film Screenwriters Forum, Film Literature Forum, Film Screenwriters Night, Film Literature Night, "Song Yuan China Haisi Quanzhou" style collection, film master classes, the 28th "China Film Association Cup" annual top ten film drama promotion night and other activities.

Zhang Pimin, Tong Gang, Yan Shaofei, Liu Heng, Wang Xingdong, Huang Jianxin, Song Zhiqin, Zhang Sitao, Tang Ke, Jiang Ping, Jiang Haiyang, Chen Guoxing, Lu Qi, Zhou Xinxia, Cao Jiuping, Huang Dan, Dou Chunqi, Ma Weigan, Zhang Guangbei, Ye Ning, Huangfu Yichuan, Zhao Ningyu, Wang Hailin, Zhao Weifang, Gao Xiongjie, Li Shengli, Zhang Chi, Ma Yue, Yuan Yuan, Wu Nan and other well-known film industry professionals gathered in Quanzhou, Fujian Province to participate in the event.

According to reports, China Film Screenwriters Week aims to open up the film production industry chain, further promote the linkage development of film and literature, provide a good interactive platform for screenwriters and writers, deepen the connection between literature and film, and contribute to the development of China's film industry. The event was jointly sponsored by the China Film Association, Fujian Film Bureau and Quanzhou Municipal People's Government, and organized by the Film Art Center of the China Federation of Literature and Literature, the Film Literature Creation Committee of the China Film Association, the Fujian Film Association, the Propaganda Department of the Quanzhou Municipal Party Committee of the Communist Party of China, and Quanzhou Radio and Television Station.

As one of the important activities in the field of Chinese film screenwriting, the "China Film Association Cup" annual top ten film drama selection and promotion activity has been successfully held for 12 consecutive sessions, this year, the event was expanded and upgraded to "China Film Screenwriters Week" on the basis of the "China Film Association Cup" and landed in Quanzhou.

The first China Film Screenwriters Week was held Photo courtesy of the organizer

Yan Shaofei, deputy secretary of the party group and secretary general of the China Film Association, said in his speech at the opening ceremony of the first China Film Screenwriters Week that with the strong pace of the great journey of the new era, the development of Chinese films has entered an unprecedented period of opportunity, with bright prospects and a promising future. Starting from the source and fundamentally promoting the prosperity and development of film creation is a glorious task entrusted to filmmakers in the new era and new journey. He said that China Film Screenwriters Week will promote the benign development of literary creation and film and television adaptation, strive to build a platform for film literary creation and screenwriter exchanges, and provide help and support for excellent film script creation and industry development.

At the China Film Screenwriters Forum, Liu Heng, vice chairman of the China Federation of Literature and Literature, a famous screenwriter and writer, said that screenwriters are cultural workers who work on the front line of life and are also an indispensable member of the film creation collective. As an individual's life, the screenwriter should deal with his relationship with the environment, with others, and with himself. A screenwriter has to face a series of problems such as his own increasingly dull feeling of the world and deepening his inherent stereotypes, and only by constantly getting out of difficulties and overcoming himself can he create better works.

Huang Jianxin, chairman of the Beijing Film Association, a famous director, screenwriter and producer, said that the relationship between Chinese film and literature has always been extremely close, directors often stand on the shoulders of writers and screenwriters to create films, and the relationship between film screenwriters and directors is like the relationship between composers and conductors. He believes that film literary scripts are not only the cornerstone of film shooting, but also have literary aesthetic value and are an extremely important link in the film creation process.

At the Film Literature Forum, Ma Weigan, chairman of the National Film Working Committee of the China Film Association and a well-known screenwriter, said that converting literary works into film scripts requires a unique vision and unique methods, and he prefers to adapt novels with strong stories and humanistic feelings into film literary scripts. He believes that current film screenwriters should draw more nutrients from life, and at the same time strive to practice basic skills, constantly improve their innovation ability, and contribute literary and emotional power to the development of China's film industry.

At the closing party of the first China Film Screenwriters Week held on the evening of the 26th and the promotion night of the 13th "China Film Association Cup" annual top ten film dramas, "Deng Xiaoping Trail" (screenwriter Wang Xingdong), "Above the Cliff" (screenwriter Quan Yongxian, Zhang Yimou), "Changjin Lake" (screenwriter Lan Xiaolong, Huang Xin), "Island Guardian" (screenwriter Chen Li, Ding Han, Zhao Zheen), "My Sister" (screenwriter You Xiaoying), "Miracle Stupid Child" (screenwriter Zhou Chucen, Xiu Mengdi, Wen Muye, Han Xiaohan, Zhong Wei), "Love Myth" (screenwriter Shao Yihui), "See Nara Again" (screenwriter Peng Fei), "Lyceum Theater" (screenwriter Ma Yingli), "Life Events" (screenwriters Liu Jiangjiang, Yumin) won the honor of the top ten film plays of the year. (End)