Chongqing, March 3 (Zhongxin Net) (Luo Yonghao) From the 27th to the 25th, the "Symphony Reflection-Chengdu-Chongqing Twin Cities Concert" was staged in Chengdu and Chongqing respectively. A number of classical music artists from Chengdu and Chongqing told reporters that this was the first time they participated in a large-scale symphony concert jointly held by the two places.
In recent years, the cooperation between Chengdu and Chongqing has burst into unprecedented vitality, and people-to-people exchanges have continued to heat up. According to reports, the concert was hosted by Chongqing Performing Arts Group and Chengdu Symphony Orchestra, bringing together more than 80 classical music artists and literary workers, including Chongqing Festival Symphony Orchestra and Chengdu Symphony Orchestra, aiming to actively integrate into the construction of the Bashu Cultural Tourism Corridor through the combination of Chinese and Western music and art forms, promote the high-quality development of the cultural tourism industry in Sichuan and Chongqing, and help cultural public services benefit the two places.
When the reporter walked into the concert scene, he was instantly infected by the resonance of male and female soprano and classical instruments. In the shock, the beautiful melody beats with the baton, sometimes soothing, sometimes light, sometimes passionate... It seems to be able to penetrate time and space and hit people's hearts. Many classical music lovers in the audience unconsciously hummed quietly to the rhythm of the music. Every time a piece is played, thunderous applause resounds.
"Cultural exchanges between Chengdu and Chongqing have always been there." As the principal of this concert co-orchestra, Wu Bo, director of the Chongqing Festival Symphony Orchestra and young violinist, was interviewed by a reporter from Chinanews.com backstage the performance. He believes that Chengdu and Chongqing are geographically connected, bloodline and cultural context, and have experienced a process of long-term exchanges, exchanges and blending. Specific to the field of classical music, this exchange has never stopped.
Music itself is a language of communion. In Wu Bo's view, symphony is the "ultimate form" in the field of music. In terms of form, it itself has the characteristics of cooperation and integration. Every instrument and every voice in the orchestra needs to be fully communicated and run-in, and the cooperative performance of classical orchestras in Chongqing and Chongqing can achieve complementary advantages between the various voices of the orchestra. At the same time, music comes from life. For the audience, to understand the symphony, there is no need for a systematic knowledge system to analyze and deconstruct, as long as it is experienced with feelings, it can always find resonance in the music.
Nowadays, people-to-people exchanges between the two places are becoming more and more frequent, and classical music is representative of them. Wu Bo recalled that in the past, classical music and art workers from the two places had frequent but not large-scale exchanges, and this joint large-scale symphony performance was the first time in his career.
"The in-depth cooperation and integration of classical music between Chengdu and Chongqing is inevitable." Lin Musen, permanent conductor of the Chengdu Symphony Orchestra, also said that the classical music exchange in this concert is more like a beating note under the prelude to the construction of the Chengdu-Chongqing Twin Cities Economic Circle. In the context of accelerated exchanges and communion in all walks of life, literary and artistic work is no exception. In addition, Chengdu and Chongqing are both international metropolises, and classical symphony, as an international musical language, should be in the forefront of the process of communication and integration.
Lin Musen introduced that the classical musicians and literary workers of the two places in this concert mainly exchanged musical skills and musical forms. He hoped that in the future, the classical orchestras of the two places could carry out deeper and closer cooperation in repertoire creation and arrangement. (End)