Music returns to

prime time

on

TVE

, but it returns in a different way.

With

Ruth Lorenzo

as master of ceremonies and a jury made up of

Mónica Naranjo

,

Chanel

,

Miguel Bosé

and

Juan Magán

, who are joined by

Abraham Mateo

and

Ana Guerra

in the

backstage

, the new

talent

Cover Night

, which will premiere this Thursday, will show for its stage to more than 120 artists between the ages of 17 and 70 in search of a minute of glory, or perhaps more.

They will do it with well-known songs to which they will try to give their own touch: "People will see those great songs of a lifetime at home, like

Raphael

's

My Big Night

or

Madonna

's

Like a Virgin

, in versions by people who have played them." done as they have felt. It is a program that is 100% music", explains

Macarena Rey

, CEO of

Shine Iberia

, the producer behind the new

talent.

"We serve as an embassy for all that talent that is on the street, people who play at weddings or in bars."

For her, the difference is made by the experience: "It is made, presented and judged by musicians," she says.

The result will show, among many others, a rock version of

Despechá

by

Rosalía

, or an urban version of

Vivir así es morir de amor

, by

Camilo Sesto

, with everything and its initial rap.

"The casting

department

has contacted almost 4,000 people," says

Ana Rivas

, entertainment director for

Shine Iberia

.

"All that talent was floating in the cloud. It has become fashionable to upload

covers

to the networks and that is why the program is called that; it is a kind of open micro where people bring us their proposal."

That these

covers

are original, even changing the original genre of the song is the biggest claim of the contest.

Also, that they reach the viewer with the highest quality sound, as

Miguel Bosé

points out : "For those of us who make music, live is what we like the most. We have a band that is wonderful and has a great technical level. I told you so to Macarena: we cannot afford to make a program that sounds bad".

"We do not stop being impressed by the level that some artists have", confesses

Mónica Naranjo

.

In the first gala, the singers who step on stage must get at least three green lights from the four members of the jury to stay: if they do, they will go on to occupy one of the nine cubicles embedded in the set of the program, which they will fill with personal items as if they were their own homes.

When these gaps are filled, the artists who obtain three or more green lights will have to earn a position by challenging those who had already obtained that space, who will have to defend it.

"There are duels in which there are two tsunamis. We all ask ourselves, but where has this person been?" says Naranjo.

"What happens is that from the good, we leave the best, and then the sieve for excellence is made. Each program is more difficult to anticipate who they are going to charge," adds

Ruth Lorenzo

.

The other draw to

Cover Night

is the range of popular artists who champion the show.

"Apart from the stress that the

cue

generates in me because I am dyslexic, from Murcia and I have a terrible time with it, I am living it with fascination and zero pressure. I am lucky that I do not have to compete or judge",

Ruth Lorenzo

values ​​​​about her first experience as a presenter of a television program.

She summarizes the role played by each member of the jury in this way: "Monica has no mercy, she is relentless and wonderfully in her place. Chanel connects with everyone emotionally, which lowers the tension when there are a lot of nerves. Juan has the vision of the future and thinks who would be the best artist to develop and Miguel makes a lot of styling inputs, but he is, for me, the heart of the jury".

Through allusions,

Mónica Naranjo

clarifies: "My colleagues insist that I am the toughest, but no. My hard times are over with

OT

, I promise. It is a different format, very kind. I contribute my technical part: how do you have to stepping on stage, how you have to use your vocal technique to interpret impossible songs and, above all, mental training. People think it's just singing, but you have to prepare yourself psychologically. And I repeat, I'm not the bad guy. The bad guy is Miguel".

If Naranjo was already a judge of

Operación triunfo

and

El número uno

,

Miguel Bosé

and

Juan Magán

have been

coaches

of

La voz

in Mexico and the Dominican Republic, respectively.

Who completely debuts in this role is

Chanel

.

"Artists are exposed from the beginning of our careers. I remember doing

castings

when I was 16 years old and you are always under the opinion of a jury or a director. It is something that I have lived throughout my artistic life and now, for the first time, I it's time to be on the other side", says the singer who represented Spain in the last edition of

Eurovision

, who confesses that it is very difficult for her to be harsh with the contestants: "From my own experience, I empathize a lot. When I give a red, I always say that it is a positive red."

What remains a secret is whether the members of the jury will also sing.

"With these jewels that you see here, do you think they hire us to be quiet? Does it govern you?" Bosé replies.

According to the criteria of The Trust Project

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