Music returns to
prime time
on
TVE
, but it returns in a different way.
With
Ruth Lorenzo
as master of ceremonies and a jury made up of
Mónica Naranjo
,
Chanel
,
Miguel Bosé
and
Juan Magán
, who are joined by
Abraham Mateo
and
Ana Guerra
in the
backstage
, the new
talent
Cover Night
, which will premiere this Thursday, will show for its stage to more than 120 artists between the ages of 17 and 70 in search of a minute of glory, or perhaps more.
They will do it with well-known songs to which they will try to give their own touch: "People will see those great songs of a lifetime at home, like
Raphael
's
My Big Night
or
Madonna
's
Like a Virgin
, in versions by people who have played them." done as they have felt. It is a program that is 100% music", explains
Macarena Rey
, CEO of
Shine Iberia
, the producer behind the new
talent.
"We serve as an embassy for all that talent that is on the street, people who play at weddings or in bars."
For her, the difference is made by the experience: "It is made, presented and judged by musicians," she says.
The result will show, among many others, a rock version of
Despechá
by
Rosalía
, or an urban version of
Vivir así es morir de amor
, by
Camilo Sesto
, with everything and its initial rap.
"The casting
department
has contacted almost 4,000 people," says
Ana Rivas
, entertainment director for
Shine Iberia
.
"All that talent was floating in the cloud. It has become fashionable to upload
covers
to the networks and that is why the program is called that; it is a kind of open micro where people bring us their proposal."
That these
covers
are original, even changing the original genre of the song is the biggest claim of the contest.
Also, that they reach the viewer with the highest quality sound, as
Miguel Bosé
points out : "For those of us who make music, live is what we like the most. We have a band that is wonderful and has a great technical level. I told you so to Macarena: we cannot afford to make a program that sounds bad".
"We do not stop being impressed by the level that some artists have", confesses
Mónica Naranjo
.
In the first gala, the singers who step on stage must get at least three green lights from the four members of the jury to stay: if they do, they will go on to occupy one of the nine cubicles embedded in the set of the program, which they will fill with personal items as if they were their own homes.
When these gaps are filled, the artists who obtain three or more green lights will have to earn a position by challenging those who had already obtained that space, who will have to defend it.
"There are duels in which there are two tsunamis. We all ask ourselves, but where has this person been?" says Naranjo.
"What happens is that from the good, we leave the best, and then the sieve for excellence is made. Each program is more difficult to anticipate who they are going to charge," adds
Ruth Lorenzo
.
The other draw to
Cover Night
is the range of popular artists who champion the show.
"Apart from the stress that the
cue
generates in me because I am dyslexic, from Murcia and I have a terrible time with it, I am living it with fascination and zero pressure. I am lucky that I do not have to compete or judge",
Ruth Lorenzo
values about her first experience as a presenter of a television program.
She summarizes the role played by each member of the jury in this way: "Monica has no mercy, she is relentless and wonderfully in her place. Chanel connects with everyone emotionally, which lowers the tension when there are a lot of nerves. Juan has the vision of the future and thinks who would be the best artist to develop and Miguel makes a lot of styling inputs, but he is, for me, the heart of the jury".
Through allusions,
Mónica Naranjo
clarifies: "My colleagues insist that I am the toughest, but no. My hard times are over with
OT
, I promise. It is a different format, very kind. I contribute my technical part: how do you have to stepping on stage, how you have to use your vocal technique to interpret impossible songs and, above all, mental training. People think it's just singing, but you have to prepare yourself psychologically. And I repeat, I'm not the bad guy. The bad guy is Miguel".
If Naranjo was already a judge of
Operación triunfo
and
El número uno
,
Miguel Bosé
and
Juan Magán
have been
coaches
of
La voz
in Mexico and the Dominican Republic, respectively.
Who completely debuts in this role is
Chanel
.
"Artists are exposed from the beginning of our careers. I remember doing
castings
when I was 16 years old and you are always under the opinion of a jury or a director. It is something that I have lived throughout my artistic life and now, for the first time, I it's time to be on the other side", says the singer who represented Spain in the last edition of
Eurovision
, who confesses that it is very difficult for her to be harsh with the contestants: "From my own experience, I empathize a lot. When I give a red, I always say that it is a positive red."
What remains a secret is whether the members of the jury will also sing.
"With these jewels that you see here, do you think they hire us to be quiet? Does it govern you?" Bosé replies.
According to the criteria of The Trust Project
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