• Bad Gyal interview: "I have never believed that my job is to exploit my body"

  • Bad Gyal interview: "There are people who criticize that I make shitty music and then defend Pablo Hasel to the death"

A big party is what

Bad Gyal

gave last night before a packed

Wizink Center

.

"It's my first time here, a dream come true," he said before the delirium of an audience that he cheered every time he boasted of his skills to move his ass.

He started the show with 'Blin Blin', while his fans chanted at the top of their voices "I report to your area, every day more assy" and then he arrived.

He turned around,

twerked all the way down and the first woooooooooooooo!

widespread

.

A scream that would be repeated with each shake of the buttocks during the hour and a half that the concert lasted.

The Catalan is a diva and she knows it.

Dressed in a mini-set of silver sparkles -to match the micro- and brown fur boots, she controlled each posture, each gesture, to look like a queen.

She is the 'pussy k mana' (the pussy that she commands), as she sings on one of her first hits.

In life everything is attitude and she has plenty of it.

Without even having a record on the market-she will soon publish 'La Joia'-, she has shown that the proposal for which she was criticized so much at the beginning works.

Who is not going to want to feel like the center of attention and the most glamorous of the nightclub?

The start was followed by 'Slim Thick', 'Pussy', 'Su Payita' or 'Gasto'.

The themes were chained without brake while a group of six dancers accompanied her on a stage with three platforms.

Then came the first of the few pauses he took to address his fans.

"I'm not going to talk much, I'm worse at it and I'm

lowering my goddess level

. I'm going to do what I'm good at: throw a party," she acknowledged.

And 'voila'.

In his party there was no shortage of fearmongers and neither was Quevedo.

A surprise appearance by the canary to sing together Real G that brought down the old Palacio de los Deportes.

With 'Sin Carné' the first of the group choreographies would arrive and one more of the moments in which the public was listened to above all else.

"I only know how to do it, I don't know how to try it" they chanted what is already a generational hymn.

Among the people, twenty-somethings and thirty-somethings and, of course, many people from the

LGTBI collective

, for which

Bad Gyal

is one of its great references.

There was no shortage of 'You are a bom bom', the recently released 'Chulo' -which, obviously, all souls had already learned-, 'Hooka' or '44'.

The one from Vilasar de Mar also presented

unpublished songs

that will be on his new album.

The first of them was a romantic reggaeton that the Catalan ended very emotionally with her teary eyes and which was followed by a request for a hand in the stands.

After the nerves due to the reception of his new songs, it was noted how he relaxed more and more and began to really enjoy his night for history.

She danced 'dancehall' to Sean Paul's 'Give me the light'.

The fireworks arrived, the red laser lights and she sang the song that she will premiere with the Argentine Nicki Nicole.

She enjoyed singing the collaboration with Beny Jr in the remix of 'Flow 2000' and showed off with some of the most sensual movements on a platform that imitated a bed while she sang 'Learning sex'.

Another of the moments to remember was carried out by its dancers -four girls and two boys- in a kind of

dance competition

in which they individually showed off.

A few minutes that culminated with

Bad Gyal

reappearing with a new look -pink dress and gold boots-, and parading on a platform converted into a catwalk.

From his bag he took a lipstick and touched up his lips in a nod to Rihanna's performance at the SuperBowl.

A memory of the artist from Barbados who has given him so much.

And it is that the home version that the Catalan made of 'Work' in 2016 marked the beginning of a successful career.

Before the farewell, 'New York' was played with the song melting into electronic rhythms and the entire track bouncing with the hand up.

After a "thank you for supporting me, I love you", the Catalan left the stage for a few seconds in which the audience got nervous and began to ask for 'Fever!'.

She returned to the stage, she sang 'Alocao', the song with Omar Montes, and finally 'Fiebre' arrived, ending the concert in style.

When leaving, the public wanted more and started a night of partying in which the sound of ¡Vivas!

to Bad Gyal.

According to the criteria of The Trust Project

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