Would you dare to play this song to your mother?

Regarding that Tik Tok 'trend' that reads something like "would you dare to play that song for your mother?", I came across a song called 'Delincuente' (please excuse

'musical ignorance' because I did not know it until now) which, from what I have been able to read later, was in

prepared by 'Time' magazine.

And his letter, among other things, says (I apologize again, this time, for what I am going to write):

I want to put you in, I want to put you in my room

Take off your Jordans, take off your pants

Come, I'll wait for you without pantyhose

I have your condom on top of the drawer

Leave it full of milk

And let's not make too much noise so my brother doesn't suspect

That I have a delinquent in my bed

Who breaks my ass in four, after he blows me...

Better, I don't continue, because I think that, with these two stanzas 'you're welcome', the 'message' (presumably disturbing and I don't know what other moves) contained in the song is perfectly understood.

When I heard it for the first time a few days ago (call me 'grandma' out of the loop), I admit that I was quite blown away.

, because, at this point, one is already cured of fright, but it made me think that, on the musical scene, what is between my generation and, even, that of my parents or grandparents and kids today,

.

Continuing with my mental development, I tried to imagine what my grandmother would have said if my mother had played her a Beatles song back in the day (which I don't think happened).

Then, what would my own mother's face have been if she had understood

with which I 'tortured' her, over and over again, during the middle years of my adolescence and which, among other things, it said:

Hey little girl, is your daddy home?

Did he go and leave you all alone?

Mhmm

I got a bad desire

Oh, oh, oh, I'm on fire

Tell me now, baby, is he good to you?

And can he do to you the things that I do?

Oh no

I can take you higher

Oh, oh, oh, I'm on fire

And I couldn't help wondering (as a grandmother, again): how can there be so much difference between that eighties musical adolescence, insinuating but somewhat 'naif', that I lived and the 'hot' obviousness of the 'great songs' of now?

Ok, yes,

also heated up the staff in the early 90s with their torrid compositions, but the quantum leap between that and this is an Olympic record impossible to beat.

In any case, despite the fact that all this type of music scares me, I admit that, at least, I like to keep my ears open to know what is out there and... continue listening to 'my Springsteen' (although his songs are not among the best of the year, according to 'Time').

According to the criteria of The Trust Project

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