China News Agency, Wuhan, December 10th (Wu Yili) The much-anticipated "Three-Body Problem" animation was launched globally at 11:00 am on the 10th, and millions of fans "followed it" online.

　　"Three-Body Problem" is a long science fiction novel written by Chinese writer Liu Cixin, and it is also the first best novel in Asia to win the Hugo Award.

Up to now, the domestic sales volume of this work has exceeded 21 million.

The overseas sales volume exceeded 3 million copies, setting a record for the highest overseas sales volume of contemporary literature.

The "Three-Body Problem" animation, which was launched on the same day, is the first spin-off of the novel of the same name. It was produced by Bilibili, co-produced by Three-Body Universe, and co-produced by Yihua Kaitian. It took 3 years to complete.

　　In an interview, Wu Linfan, head of the main creative team of the "Three-Body Problem" animation, said that the work is both popular science and philosophy.

In order to restore the animation to the original work, the creative team repeatedly communicated and polished with authoritative scientists such as nuclear energy and quantum mechanics, and finally created a 3D animated version of "Three-Body" with "real feeling".

In addition, many life scenes and details shown in the animation are interspersed with Chinese elements, and the lines and plots also contain oriental philosophy.

　　In recent years, as the market value of Chinese animation works has become higher and higher, the cultural value has also become wider and wider.

The "Research Report on the Overseas Network Communication Power of Chinese Films (2018-2020)" released in 2021 shows that Chinese animation films have outstanding performance in the overseas network. "Jiang Ziya" and other works are ranked in the forefront of the year in overseas dissemination.

　　The main creative team of the "Three-Body" animation said that the launch of the "Three-Body" animation will help Chinese science fiction works "break the circle" and help Guoman to go overseas.

As a practitioner, I will continue to tell Chinese stories and spread Chinese voices through animation art that young people love.

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