The US press surrenders to Rosalía: second best album of the year for the 'New York Times'

• Premios Rosalía wins the Latin Grammy for the best album of 2022 and is censored on US television

• Interview Rosalía: "My grandmother is a motomami, hopefully when she grows up she will be like her"

• Fan phenomenon The Motomami army: from spending 4,000 euros on the tour to coming out of depression thanks to it

Since it was published last March,

has not moved from a place of high symbolic meaning: the first place on the list of best scores on the

website , with a 94 out of 100.

is a aggregator that collects the criticisms of conventional publications and, based on the notes received by the records, establishes an average that faithfully reflects how the hot reception has been, and

not only satisfied the Anglo-Saxon critics, but also left them feeling sorry for themselves.

admired.

If we stay with that meter, the conclusion falls by its own weight:

.

But in the story of immediate history, long-distance races also matter, in addition to sprints, and we must wait for the summary judgment of the end-of-year lists.

Returning once again to

, the web has a second meter that appears in December: albums that are mentioned more times in the annual summaries, and there

falls (right now) to second place, after Beyoncé overtakes her with her

, album that aims to gather the greatest collective acclaim.

This correlation, in fact, is what is reflected in the

, in the shadow of

.

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Music.

The incomprehensible absence of Rosalía in the main categories of the Grammy 2023

• Writing: CRISTINA LUISMadrid

The incomprehensible absence of Rosalía in the main categories of the Grammy 2023

Music.

Rosalía launches the album MOTOMAMI+, an expanded reissue with seven new songs

• Writing: EFE Los Angeles

Rosalía launches the album MOTOMAMI+, an expanded reissue with seven new songs

Other expected lists reflect a similar hierarchy:

magazine , which revealed its top 100 this past Friday, also crowns Beyoncé, but places Rosalía in an extraordinary fourth place, only surpassed by Taylor Swift (bronze) and Bad Bunny (silver). ).

The appearance of

-whose

magazine

, which also adds an interesting nuance:

, and collectively,

in the

North American

, matching the critical judgment with what was already a massive popular acceptance.

Bad Bunny is not only sweeping listeners on Spotify, but critics are finally kissing his feet.

For Rosalía, this reception of

-which will not end with an imperial crown, but with abundant layers of laurel leaves- means her

.

It will be interesting to see how specialized Spanish magazines treat her case this year -which always divide their lists between national and foreign material-, but behind the scenes Rosalía is already a nuclear pop figure on a global scale.

The Motomami World Tour tour - which after the initial leg of July through Spain jumped to Mexico City in August and will conclude in Paris on December 18 - has taken Rosalía to large spaces in South America and, above all, the United States.

There have been 17 dates on the

, adding three in Mexico and one in Canada, with large capacity venues completely full, such as Radio City Music Hall in New York or the YouTube Theater in Los Angeles, in which Rosalía has added two consecutive dates.

It could have been a better year if instead of three Latin Grammy Awards -among them, the one for best album of the year- he had added some more than the eight he was competing for, but there may be revenge on February 6, when the Grammy of a lifetime.

It does not seem that Rosalía will have much competition in the category "best alternative album or Latin rock", one of the two in which she has a nomination.

They could have been more, but at this point, and with everything that Rosalía has already amassed, no one can argue that the big prize is her

as a whole .

According to the criteria of The Trust Project

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