Interview Mai Meneses and psychosis: "I'm not ashamed to have a mental illness"
Mental health The suicidal years of anti-psychiatry and pop
Interview Vicky Luengo: "Going to therapy is privileged, it is obscene that public health does not cover mental health well"
The arrival is crucial, both in the novel and in the film.
Detective
Alice Gould
arrives at the door of what will be her hell and, as in
Dante
's , she will end up hearing the divine phrase-"lasciate ogni speranza voi che entrate"-before entering what was then still called an insane asylum. .
Dr.
Teodoro Ruipérez
will tell you that, in the psychiatric avant-garde of the 70s of the 20th century in
Spain
, he insisted that they begin to be called "sanatoriums, places to heal."
The reality was far from the wish.
"As soon as you cross that door you will enter a world that is not going to be pleasant for you," warns the psychiatrist who, in the absence of the director, is in charge of talking during some wonderful first pages with the one who, to avoid altercations, will later be called Alicia, leaving behind its British origins.
She will also adopt her married name, Alicia de Almenara, and will be distinguished by her intelligence, mental agility, culture and manners.
"Signs of delirium", Ruipérez will write in his notes.
These are the first years of the Transition and the researcher who became a recluse -that is how the patients were then called- enters into
Nuestra Señora de la Fuentecilla
thanks to an "application for admission signed by the husband as the closest relative" and a letter from a doctor diagnosing "paranoia".
Thus begins
Los renglones torcidos de Dios
, a novel now adapted to the cinema by
Oriol Paulo
and with
Bárbara Lennie
and
Eduard Fernández
as leading actors.
At the time, it was revolutionary for several reasons.
The author,
Torcuato Luca de Tena Brunet
, who was the director of the newspaper
Abc
, addressed mental illness for the second time in his bibliography, after publishing
Pepa Niebla
in 1970 , but this time in a brutal way since he decided to enter it himself, voluntarily, in a Galician asylum with the intention of capturing reality in the most authentic way possible.
To know more
SERIE.
Sanatorium of the Holy Angel, Satan's psychiatric hospital at the foot of the mountain
Writing: ANTONIO LUCAS
Sanatorium of the Holy Angel, Satan's psychiatric hospital at the foot of the mountain
Literature.
The psychiatric prison in Paris where 'hysterical' and 'alienated' women were locked up
Writing: VANESSA GRAELLBarcelona
The psychiatric prison in Paris where 'hysterical' and 'alienated' women were locked up
That is why
Los renglones crooked de Dios
is a realist novel and also a journalistic chronicle
.
Even
Shutter Island
seems like a carbon copy of the fundamental issue: identity and madness in a setting of constant suffering
.
And, incidentally, also the history of psychiatry, the struggle of the psychiatric schools and an unavoidable leap: advancing in the respect and care of those who live with a mental illness.
Because in 2022 we live an opening in terms of mental health but
, 40 years ago, as the novel describes, "crazy people were sad waste of humanity"
and in the Zamorano asylum where Alicia, once a Carthusian monastery, enters , inhabits "a small collection of monsters",
"a terrible mistake of nature, the misspellings of God...".
Luca de Tena had to document the functioning of mental institutions at a specific and significant moment, "a time when, in addition to the important political and social transformations that were taking place in the Spanish state, a cultural change towards the problem of mental disorders that gave rise to healthcare reforms and very important novelties regarding the discourse and social attitude towards madness", describes CSIC academic
Rafael Huertas
in his research on the novel .
In truth, not even the psychiatrist
Juan Antonio Vallejo Nágera
, who prefaced the book - on the occasion of the film adaptation, Planeta has reissued it - was prone to the author interfering incognito in an insane asylum and he says so in the lines that precede a work that exerted fascination on those who read it in the 20th century, so much so that they used to reread it.
Even
Belén Esteban
went crazy with the story one summer in Benidorm.
Vallejo Nágera proposed to Luca de Tena to make a controlled visit to a center, but he replied: "You still don't understand. I must enter with a certificate, in non-voluntary admission and with an assumed name, with all its risks and penalties."
So it was.
From Vallejo Nágera's prologue, we also know that
Luca de Tena, unlike others, returned the lent books to the psychiatrist and even assimilated them.
And the impact of the new psychiatric culture, "from conservative positions," Huertas clarifies, takes shape in a suspense novel, somewhat black, that
keeps the reader hooked on the story of a woman who does not know if she is sane or crazy
.
These are the years of the debate on the reform of psychiatric institutions, which still used eighteenth-century ways, "designed to separate the sick from the rest of society and, once inside, to neutralize them with physical and then pharmacological measures to avoid the problems that they could cause," says
Santiago Sevilla Vallejo
, professor at the
University of Salamanca
and author of an essay on the medical process that Luca de Tena's narration describes.
"That meant that the patients had the right to move relatively freely around the building and the park. Those who wanted to sit in the bar, organize their games of dominoes, briscola or Parcheesi, or walk chatting in the garden, or get lost in the mountain area, which was very large, or they attended occupational therapy sessions, or they worked in the large and multiple labor therapy workshops, true mini-industries, in which various objects were made that were later sold, and for which work the patients did not stop receiving a very varied salary, according to their aptitudes and their performance (page 89).
Sevilla Vallejo says that
"in the novel, many of the diagnoses stereotype patients because the disorder conditions the way of understanding the patient"
.
Something that the protagonist, Alicia, calls "geometry of the study of the soul".
"They tend to simplify what is as varied, as complex, as interesting and as great... as... as the spirit" (page 69), says the protagonist.
And that is precisely what the reader obtains in the midst of so much pain, the x-ray of those who suffered in places that were named, for example, the cage of the insane.
Characters impossible to forget for those who once read 'The crooked lines of God', such as
the Duchess of Pitiminí
or the man with a phobia of water.
Among all of them, the charisma of Alice Gould,
"-Did you yourself prepare the poisons?
-You are tenacious, doctor.
If I wanted to do it, I wouldn't have been able to either.
Well, I don't know all about poisons.
-I really miss in a degree in Chemistry!
-Doctor, it would not be impossible that during my stay here they would have to operate on my ovaries.
Would you be the one to intervene?
-Impossible, ma'am.
I don't understand about that.
-Don't you understand?
I really miss in a MD!
-My medical specialization is another, my lady.
-My Lord: my chemical specialization is also another.
The new inmate laughed, without going too far, and the doctor was forced to imitate her, since the truth is that she had left him speechless.
She was stupid, she had nothing.
She could be crazy;
but stupid, no.
-In the report that I have read about your personality -commented Teodoro Ruipérez- it says that you are very intelligent.
Alice smiled sarcastically, not without vanity.
"I assure you, doctor, that it is an involuntary defect."
Conforms to The Trust Project criteria
Know more
literature
novel
Psychology
Mental health
Psychiatry
Articles Rebecca Yanke