In 2022, the Service Trade Fair is holding offline exhibitions in the National Convention Center and Shougang Park.

On September 2, in the 2022 Service Trade Fair Tourism Service Exhibition hosted by the Beijing Municipal Bureau of Culture and Tourism in the Shougang Park, the "Grand Opera to See Beijing - Peking Opera Cultural Journey Special Exhibition" led the audience to appreciate the beauty of Peking Opera in various forms.

　　The "Peking Opera Cultural Journey" IP is an in-depth cultural and tourism integration project planned and launched by the Beijing Overseas Cultural Exchange Center affiliated to the Beijing Municipal Bureau of Culture and Tourism.

In the exhibition area of ​​this special exhibition, the image of Mei Qiaoling in the meticulous sketch drama "Thirteen Wonders of the Same Light" was recreated by digital technology, and an immersive digital art space was created with the painting screen.

The audience can be immersed in the combination of Peking Opera art and Pop art; on the huge and ever-changing screen, there are more than a thousand pieces of precious image materials such as the costume photos of Peking Opera masters, the ink paintings of Chinese opera figures and the old play lists.

　　The special exhibition has set up a number of interactive links. The immersive flower sea that attracted the attention of the public last year is built in a new form this year, so that the audience can actually walk into the flower sea to shoot and enjoy the live performance of Peking Opera actors.

The exhibition area also displays the palace dress worn by Concubine Yang in "Drunken Concubine", and the dragon python and helmet with the character of Fu, worn by Bao Zheng in "The Case of the Beauty".

　　In addition, the national intangible cultural heritage project the production skills of theatrical costumes and instruments also appeared in the exhibition area, and the audience can watch the production process of Beijing embroidery intangible cultural heritage on the spot.

(Xu Jing produced Liu Peng)

Responsible editor: [Wu Tao]