Black and white talk about the Tao, besieging the ground, attacking and defending you come and go;

　　There are no regrets, and who is the first to advance and retreat.

　　Go was born in China more than 4,000 years ago.

　　It is not only an art, but also contains Chinese classical philosophy.

　　Go is simple in structure, but contains profound meaning and rich cultural connotations.

　　The square of the chessboard is evolved from the ancient civilization "River Map", which symbolizes the prehistoric universe;

　　The chess pieces are round, one black and one white, implying the mutual transformation of yin and yang, and one trades off the other during the game;

　　The 19 lines above the chessboard form 361 intersections, symbolizing the 361 days of the lunar calendar;

　　The 9 dots are called "stars", and the central constellation is called "Tianyuan".

　　It is all-encompassing in the square and circle, integrating the sky, the earth and the people.

　　galloping on the chessboard,

　　It is to realize the philosophy of life in the realm of "harmony between man and nature".

　　Throughout the ages, countless "chess players" have spent their entire lives just playing the game of Go.

　　Wu Qing, a modern "chess saint", learned Go from a young age.

　　Until his later years, he still devoted himself to the study of Go,

　　It is proposed that "Liuhe Zhiqi" puts the overall view of Go on a high ground,

　　The pursuit of overall balance and neutrality.

　　The chessboard is like a mirror, projecting the flow of the players' thoughts.

　　Life is like chess, and chess is like life.

　　One step at a time, guide the direction of the heart.

　　Jointly produced by China News Network and Communication University of China

　　Seller: Yu Lan

　　Chief planner: Hu Fangmengqun

　　Producer: Qin Yuming, Wu Qingcai, Qi Bin

　　Editor's guide: Wang Jingwen, Zhao Xijing, Bai Xiaoqing, Zhou Xiaomeng, Sun Hongliang

　　Editorial team: Li Yiying, Cao Hangyu, Liu Wei, Liu Qi

　　English translation: Liu Wen

　　English translation reviewer: Mo Hong'e and Zhang Dongfang

　　Coordinator: Wang Kai, Zeng Nai

　　Editor: Wang Ning

Responsible editor: [Luo Pan]