50 years Ethan Hawke: the depression in which he fell after his separation from Uma Thurman for which he lived two years in a hotel
Interview Ethan Hawke: "Acting is like sex: you will never get bored of doing it"
The things that go through your head when you blow out your 50th birthday candles are no longer the same.
You don't pass for young by any means, people start to fall around you, and you can be sure that, at best, you're left with nothing but a
slow decline
into nothingness.
In November it will be two years since Ethan Hawke blew out those same candles, and he has decided to take the bull by the horns,
embracing Evil
to the last consequences of it.
In
Black Phone
,
Scott Derrickson
's movie that hit theaters this Friday, it couldn't be scarier.
He's a bit like the clown from It, a wizard in a top hat kidnapping teenagers in a sleepy Denver suburb in the late '70s. And if It came from the sick imagination of Stephen King, the masked killer from
Black Phone
it is the brainchild of his son,
Joe Hill
.
The black telephone
, a story that can be read in
Fantasmas
(2005), published in Spain by Suma, owes its title to the device with which the last kidnapped kid, in the basement of rigor, communicates with the previous victims:
the supernatural factor
which allows Hawke to take out all his demons.
No less demonic is Hawke in the Marvel
Moon Knight series,
which can be seen on Disney+.
While it stars
Oscar Isaac
, a diffident museum clerk empowered by an Egyptian god, Hawke is the leader of a cult that operates in broad daylight.
Arthur Harrow, which is the name of his character, even had a past as
a Nazi scientist,
and was in the service of the OMNIUM (
sic
) organization, when he appeared in a
Moon Knight
comic published in 1985. To compose it, Hawke has inspired by characters as diverse as
Josef Mengele, Steve Jobs
, televangelist Jimmy Swaggart and, above all,
David Koresh
, leader of the Branch Davidians and responsible for
the massacre in Waco
(Texas, USA) in 1993.
Ethan Hawke, the villain of 'Black Phone'.
Decidedly, Hawke has proposed breaking what he calls
the "evil guy" rule
.
According to him, once you've played a role like Jack Nicholson in The Shining (1980), people will only remember you for that.
But when you've turned 51, you've been making movies for almost four decades (it debuted in 1985, opposite River Phoenix, in Joe Dante's disastrous Explorers), and there's nothing scarier than a simple mirror, it starts to give a little. the same.
Of course, for his fans, Hawke's metamorphosis is still a
shock.
If it is that we saw him grow up in the films of
Richard Linklater
, his colleague from Austin, mainly in the romantic trilogy that he starred in over three decades with
Julie Delpy,
and that he started with
Before Dawn
(1995), and in
Boyhood
(2014), that wonderful film that was shot over 11 years and that, in a fair world, would have won the 2015 Oscar.
Birdman
snatched it from him , Iñárritu's .
It was, however, a
well-advertised
pact with the devil .
Although he had never been the bad guy in the movie, he had specialized in tortured characters, as in
The Reverend
(Paul Schrader, 2017), and had been working for the stylish Blumhouse scare factory for some time.
He was in the first
The Purge
(2013), in the
western The Valley of Vengeance
(2016) and in the drama
On the Highway
(2019).
But especially in
Sinister
(2012), his first collaboration with Derrickson, where he played a writer, like himself.
Indeed, Hawke has published a handful of ambitious novels.
The last one, unpublished in Spanish, has clear
autobiographical
overtones , and could be translated as
A brilliant ray of darkness...
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