Festivals Primavera Sound will be based in Madrid in 2023
What a feeling to set foot on
Primavera Sound
like before, like we always did: the cement floor of the
Fòrum,
the loudspeakers in the background rumbling, the sea breeze in your arms, the smell of fried food from the food stalls at the entrance. , the lines to drink and pee and drink and pee again, the sticky heat: everything was there, in its place, three years, a
thousand days after the last time.
Almost as if nothing had happened.
The celebration of Primavera Sound after three years of authentic via crucis for the music industry
represents a return to normality,
to the party and the crowds in style.
The festival
celebrates its 20 years
of life (an event that was going to be celebrated in the cursed year, 2020) now converted into a gigantic monster of unprecedented proportions in Spain: 500 concerts over two weekends at the Fòrum and ten days of uninterrupted music adding the
130 skittles spread over 15 venues
in the city during the week that, from last night until next June 12, make Barcelona the European musical capital.
This year the festival has promoted the idea of bringing headliners such as
Beck, Interpol, Phoenix
or
Megan Thee Stallion
to small clubs and stages: many stars will double or triple in more intimate formats, a nod to the ecosystem of small concert halls in Barcelona, one of the most played and the one that had to suffer the most from the draconian restrictions during the pandemic.
A lap, we said, in an absolutely enjoyable and pre-pandemic way: without a mask, without QR codes, without previous tests,
without anything that reminded us of life with Covid.
The festival, with all the tickets sold for more than a year, hopes to receive some
80,000 people every day,
half a million attendees in total, while it prepares its arrival in Madrid in 2023. And that the subscription price for the entire festival with non-attendance insurance amounts to 447 euros.
The festival, which has been complaining about the treatment Barcelona has given it for months, when it announced its intention to hold an edition in Madrid, woke up yesterday with a huge piece of graffiti intended to generate controversy: in it, the mayor of Barcelona
Ada Colau
and the president
Isabel Diaz Ayuso
kiss.
A replica of the famous mural by
Dimitri Vrubel on the Berlin Wall
in which those who joined in a kiss were the Soviet leader
Brezhnev
and the president of the
GDR Erich Honecker,
which caused some stupefaction among the locals.
It is not the first time that the festival gets into political puddles.
In the 2018 edition,
Carles Puigdemont masks were distributed
to liven up the end of the party.
Despite the euphoria of the reunion, the Covid has been noted in the trail of cancellations in recent days that the organization of the festival has been patching up as best it can.
It has especially hurt
The Strokes,
one of the hooks of this first weekend.
With all the members (except one, the positive one) already in Barcelona for days, their concert this Friday is cancelled, but not next week's.
The festival started with a certain organizational chaos in the bars, with long queues of up to an hour to get a beer and a patient crowd.
The waiters, one more year, are Portuguese.
The first day was divided between the new and old legends of the festival, which over the years has been building its own mythology based on groups from the indie scene of the 90s who are no longer asked for novelty, but to play records from 25 years ago, like
Yo La Tengo
or
Pavement.
One of the happy surprises of the festival was
The Linda Lindas,
practically unknown here who got into the public's pocket from the first song with their adolescent self-confidence and youthful fury, despite playing on one of the furthest stages, in front of the sea, next to the yachts.
Discovered by
Amy Poehler
and sponsored by the best of
Riot Girrrrl,
her spirited guitar pop with a feminist message seems destined to stay.
"We skip school to be playing here," confessed their bass player before introducing the members of the band from the United States, made up of two sisters, a cousin and a friend of Asian and Latin American origin, aged between 11 ( those who have the drums, absolute boss) and the 17. The Linda Lindas are one of the few bands that greeted their parents yesterday from the stage, some parents whom we presuppose are fans of
The Ramones-style two-minute fury songs,
seen what seen
His Bikini Kill
- style guitar pop
and his sense of showbiz mixed with his adolescent candor conquered a very devoted audience.
There were even pogos in the front row.
Minutes later Maria del Mar Bonet
started in a half-empty auditorium ,
who dedicated one of her first songs,
La dansa de la primavera,
to the festival itself, which has decided to rescue this
Nova Cançó
star with a half-century career on stage.
"Do not miss this festival and that we do not have any more pandemics, please," said the singer.
Before, in the afternoon, the attention was shared between the woman who changed alternative rock forever, Kim Gordon, and the latest promise to emerge from the periphery destined to renew electronic music from folklore, the Asturian
Rodrigo Cuevas,
a true showman.
As of press time, Charlie XCX
's sticky-as-bubble festive pop
reverberated on the packed main stage.
Conforms to The Trust Project criteria
Know more
Barcelona
Coronavirus
Carles Puigdemont
USA
Isabel Diaz Ayuso
Ada Colau
covid 19