The sixth part achieves great views

“The Big Oy” .. New talents give him the kiss of life

  • Ahmed Makki was keen to give new talents space in the series.

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  • Makki celebrates with the work team the end of filming.

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In a strong comeback, the series "The Big Oy" comes after a hiatus of years to occupy the forefront of the comedies shown in the Ramadan season this year, and achieve wide praise from viewers who considered that the series was able to escape from the trap in which many works with multiple parts fall, especially in There was a time difference between the previous parts and the sixth part of nearly seven years.

Like quite a few dramas in Ramadan this year, the first episodes of the series were not strong enough to match the expectations of the “Big Aoy” fans, which was evident in the comments of the pioneers of social networking sites who expressed their disappointment in his return to the same level as the previous parts. .

On the other hand, some considered that the first episodes were not a measure of the work as a whole, especially as they came to define the changes that occurred in the events, such as the absence of the "gift" wife of the great, embodied by the artist Donia Samir Ghanem, and in preparation for the emergence of the character of "profitable" his new wife.

Indeed, the appearance of the character "The Big Fath" by the artist Sama Ibrahim came to break the slow pace of work, and give the events vitality, through many comic situations that were admired, and this situation continued with the emergence of "Morbouha", presented by the artist Rahma Ahmed, which is a surprise work, and through it he was able to overcome the challenge of the absence of a “gift”.

Also, “The Big Aoy” witnessed the emergence of a number of talents presented by Ahmed Makki and director Ahmed Al-Jundi, including Mustafa Gharib in the role of “The Etra”, and the child Abdul Rahman Taha in the role of “Johnny”, the young son of the great, and Hatem Salah in the role of “Nafadi”, who achieved success. Large, and occupied the "trend" on social networking sites.

These talents gave "The Great Awe" the kiss of life to come back and compete again on the scene, in addition to the brilliance of the artists who had previously presented them in the previous parts, led by Bayoumi Fouad, Mohamed Salam, Hisham Ismail and Hussein Abu Al-Hajjaj.

“Al Kabeer” was among the most watched works this year. It is unfair to attribute to “Nostalgia” among viewers who have been associated with its various parts over many years, as some have stated. There is a clear effort from the hero of the work, Ahmed Makki, and its director, Ahmed El-Gendy, who previously presented together A number of successful works, including “H waspour”, “Tear Enta” and “No Retreat, No Surrender”, in addition to their keenness to highlight new distinguished talents, and give them space to perform their roles with their own imprint, all factors that contributed to this success, along with the author Mustafa Saqr, and a writing workshop that includes a number of screenwriters.

slow rhythm

The success of the series “Al Kabeer Awe 6” did not hide several technical errors, including the slow pace of some episodes, their varying levels, and the ease in writing some comic situations, which loses their spontaneity, in addition to the tendency of work makers to re-present previously successful works, such as the Korean series “ The Squid Game, which some considered a bankruptcy of ideas, while others saw it as not the first time. In the fourth part, Makki previously re-presented the movie “Shams El-Zanati” based on the movie “Magnificent Seven.”

• Viewers considered that the series was able to escape the trap in which many works with multiple parts fall.

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