In the "Flashing Band" and "Flashing Ceremony" broadcast by Zhejiang Satellite TV on March 12, the "Maizhenpin Co., Ltd." band composed of Zhang Zhenyue, Pinguan, and Jiao Maiqi brought the last song to this season's program. Song "Goodbye".

With the familiar and melodious melody, the screen flashes back to the beginning of the show. More than 20 musicians from five different generations from the post-60s to the post-00s with different personalities have experienced combination, split, and reorganization. In the collision of their musical aesthetics, they have become close musical confidants who are reluctant to part with each other.

　　The tolerance and warmth of music make these outstanding musicians no longer "isolated islands" fighting alone, but have more partners who go all the way.

On the shining music stage, they broke traditions, broke through themselves, and gathered together; under the aura, they laughed, played, hugged, and cried.

Before the end of the song, the healing and warmth of friendship will accompany them to continue to harvest beauty and growth on the road of music in the future.

　　Warm blend

　　Post-60s to post-00s musicians "intergenerational cooperation" to shorten the distance

　　Audiences rarely see various "magical music groups" spanning the 1960s and 00s in a music variety show: from Zhang Chu, Liang Long to Su Jianxin, Li Yugang; from Rainie Yang, Zhang Bichen to Fu Longfei, Hu Yutong...they They come from different eras, different musical styles, and are good at different instruments, but in "The Glitter Band", they need to socialize freely in the music community, and form bands one by one to create new musical inspirations.

　　Zhang Chu, who was born in the 1960s, is one of the founders of the golden age of Chinese rock and roll.

In "The Flashing Band", he met many musical partners of different ages and styles: "For example, Mr. Li Yugang would tell me that he learned how to sing a female voice when he was in Xi'an. We will talk about the evolution of personal music life in private. The story that came over. I really made friends on this show."

　　"I especially hope that through the stage of "The Glittering Band", the national style will be given new vitality." This is the original intention of Li Yugang, who was born in the 70s, to participate in the show.

In "The First Experience of Love", he delicately integrated into "A Dream in the Garden", and the beauty of Kunqu Opera impressed countless audiences; in "Waiting for a Thousand Years", he skillfully combined opera with Jin Runji's pop and Fu Longfei's rap .

Li Yugang said in an interview, "I may have been in my own environment all the time, and then I liked the things I love. When I came to "The Glitter Band" this time, I especially wanted to see how big the outside world is."

　　Tang Hanxiao, who was born in the 1980s, once said in an interview that many musicians are now rushing to make hot songs, the output of songs is increasing, and the routines are becoming easier to master.

And "The Glitter Band" does not have any musicians who use "yield" and "hotness" to talk about heroes.

The jazz version of "Sister and Sister Stand Up", the psychedelic version of "Sunshine Rainbow Little White Horse"... The love and original intention of music, let everyone gradually let go of their guards and sway their inspiration in creation.

　　The post-90s Hu Yutong participated in the band program for the fourth time, but as the only professional drummer in "The Glitter Band", Hu Yutong held a relaxed mentality of "learning and growing" and "showing myself", "If possible, I would like to cooperate with him. Every musician collaborates once." In his opinion, this is not "holding water", but what he really thinks.

　　Li Runqi, born in 2001, is the youngest musician in "The Flashing Band".

Although he and Liu Yiyun "graduated" from the show ahead of schedule, the two still completed the last "cooperation" with Zhu Xingjie and Wang Jingwen "in the air".

The picture recalls several young people rehearsing, performing, laughing, and hugging together in "The Glitter Band"... The hearty and sincere friendship attracted the musicians with mixed feelings.

Li Yugang choked up and expressed his reluctance, "Suddenly going their separate ways, there will be a kind of sadness."

　　This variety show is a challenge to break down the barriers of communication for the inarticulate musicians, but it is also an opportunity to shorten the spiritual distance.

　　and different

　　Harvest growth and healing in music socializing

　　In the package of warmth and friendship, "The Glitter Band" is also a "harmonious but different" stage.

During this journey, musicians have to experience free team formation, split after competition, and continuous reorganization.

With the company, stimulation and help of different musical partners, every musician is working hard and freely to explore more possibilities of himself, to achieve the most brilliant performance and become a more brilliant self.

　　"Mohe Dance Hall" adapted by "Booming Suai Band" is one of the "explosive" stages that impresses the audience the most.

Wang Jingwen sings, Ma Boqian reads white, Tang Hanxiao plays the piano; the restoration of the dilapidated dance hall in the 1980s, the retro movie texture, and the crisp and strong trumpet sound pull the audience into the story scene.

Fan Jiaju once admitted that Ma Boqian didn't have much confidence in the music he played before, but in "The Glitter Band" he learned that many musicians have experienced this kind of confusion but still insist on themselves.

In the past, Wang Jingwen, who sang quietly on the stage and had serious "social fear" in her life, got to know a more cheerful self with the encouragement and help of her predecessors.

After the last performance, Rainie Yang gave Wang Jingwen a warm "face-to-face killing" and lamented that Wang Jingwen is the player who has changed the most in the show.

　　Zhang Bichen completely subverted the "lyrical" image in the "Metal Rabbit" band, and played "reborn" in many new genres such as rock and rap.

In the punk version of "Hu Guangsheng", she not only challenged the musical instrument for the first time, but also showed the audience the infinite possibilities of "treasure female singer".

"This program is very happy, I made a lot of friends, I had a lot of fun playing music, and I left a lot of works that I think are great." In the last episode of the program, Zhang Bichen happily expressed his inner enjoyment and satisfaction.

　　"The Glitter Band" uses music to transcend eras, stereotypes, and styles.

In every precious creative opportunity, every musician is empowered to absorb nutrients from the warmth and cohesion, resulting in too many amazing works.

But more importantly, with the help of music confidants, each individual has further explored their inner growth and harvested the beauty and healing that music brings to them.

The journey came to a stop temporarily, and the flash stage ended, but the friendship and love remained forever in the music, shining brightly.

　　From fear of the unknown to intimacy, music interweaves and integrates the emotions and expressions of musicians.

In the opinion of the chief director Fan Jiaju, music creation is an extremely personal process, and musicians are often like an "isolated island", with personality and attitude, but they rarely have the opportunity to communicate and cooperate with each other.

And "The Glitter Band" uses the inclusiveness and warmth of music to make them change from individual to whole, from themselves to us.

"I hope "The Glitter Band" can be conveyed to the audience through the social media of musicians. Friends and dreams can give people strength." Fan Jiaju said.

　　Written by Zhang He, reporter of Beijing News