• Series This is the second season of The unit: from persecuting Islamic terrorists to having your family in danger

When

Nathalie Poza

(Madrid, 1972) was shooting one of her last scenes in the second season of

La Unidad

, the series about the National Police anti-terrorism unit that MovistarPlus + has just released, she saw how a retired GEO trembled before her.

The cameras were turned off, they left together and through tears the policeman told him that the scene reminded him of one in which he had lived in an Arab country rescuing some girls.

The power of fiction.

Do these types of experiences help to remove prejudices with certain sectors?

Doing work based on real people breaks down stigmas and prevents us from labeling, which is something we really like.

Searching for the human being behind the character is the privilege of the actors.

Although more than prejudice there are always fears about talking about delicate realities such as terrorism.

It is always very difficult to position yourself because it goes against the meaning of my art.

Is it difficult not to do it in these cases? We value your work and it helps us to reflect.

Fiction is there to become aware of things that make us very afraid to look at for pure survival.

We skipped many realities in order to move forward.

You thanked Pablo Remón in your first Goya for a man making such a complete female character.

Has the male vision changed? There is still a lack of women in the script, production and positions of power to have that female vision because there are realities that only a woman can see.

But you have to have feminine sensitivity, which is nothing more than knowing how to listen to other human beings, not just those who look like you.

This is wanting to reflect the world as it is, egalitarian. Does it still cost you the days before recording?

He said that there were times when he wanted to die because he thought he was going to do it wrong. The fears are there, but perhaps I am learning to enjoy myself or take more time.

Precariousness means that we do not have that time to prepare ourselves to expose ourselves.

And then there is something about getting naked, about reinventing oneself that is very dizzying because we are all afraid of failing.

Now I'm with a movie and I'm not panicking,

but the day before you call me and I'll tell you about it. Is it a personal decision about taking time? Yes, and more so now that everything seems to be the result, that we have to fill the time with a lot of work just to be there.

In life you have to start deciding what you do with your time.

That's what happens when you say no and risk disappearing from sites. It can't be easy to say certain noesNos, but sometimes it's not the time or you need more time for another topic.

It is vital to get rich, an actor without life does not exist, you have nothing to tell if you do not live.

Does the current precariousness make it more difficult to take that time? Of course, I have done things that I would not have done because I needed money.

And it keeps happening to me, I can't take two years off without working.

We live in such precariousness that we have turned working into a privilege.

BERNARDO DIAZ

Does that end up generating a certain anxiety? That happens to all of us, we live in a society where the result is everything: what we post on a social network, what is said that you are doing... The most intimate and artisanal part is reduced If you're not there, you don't exist.

We live in a tightrope walk where you can't enjoy anything. In the middle of that maelstrom, do you think about giving up? I'm not there, but I've lived it and that's why I'm moving away.

I remember moments of vital anguish that do not allow you to enjoy this with what we like.

We must be brave to take a space for us even if they tell you that they will not call you anymore.

The decisions that start from the guts are usually the good ones. Is that taught by the years?

Yes, one plays with expectations and if you are not going to be able to meet them, get down from there.

In my life now things go one after another, not at the same time.

Imprisoning all your creations ends up playing against you. With your musical training, why did you become an actress? I would have dedicated myself to music or been a dancer, but I was late.

I became an actress because everything fits there.

It wasn't premeditated. Do you still think that young people are going to get us out of our problems? I'm not saying they're going to get us out, we've brought them problems and we have to help them.

But I do see that they come with force and are fed up with what they see.

Luckily Greta Thunberg is no longer alone, she is surrounded by kids tired of lies.

What has changed compared to previous generations?

I see younger colleagues very involved in feminism, I have become aware of that later.

The children of the transition have lived in collective poverty, but luckily the young people give me a more rebellious look.

They question everything and do very well not to trust what they are told.

Do we need to move the foundations of our society? Now there are no excuses, information is everywhere.

Young people have much more wisdom about everything that is not right and the possibilities for change than we do.

And I want to accompany you there.

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