29 years the first, 18 the second;
They are
Mahmood
and
Blanco
, the winners of
the 2022 Sanremo Festival
and those who will presumably represent Italy in the
Eurovision Song Contest
, which will be held in
Turin
this year after the victory last year of the Italian group
Zaneskin
.
His
Brividi
(
Chill
) fell silent from the first gala of the festival to the press and the public.
They were always the favorites and last night they achieved what could not be otherwise, to win.
Only
Elisa
and
Giani Morandi
, second and third respectively, could give them some shade, but only something.
The changes and improvements that both have been adding during the four galas of
the Sanremo Festival
made it impossible for them not to be the most voted by the public at the last gala and for them not to become the new phenomenon of Italian music.
For once, whoever enters Sanremo as Pope does not leave as Cardinal.
Mahmood and Blanco
, super favorites from the beginning, won
the 72nd edition of the most important Italian singing festival
with merit and clarity .
They convinced the public, not only the youngest, who have voted for them with incredible percentages, and who are already downloading the song on all platforms;
they almost convinced the press room, which gave them second place, only behind
Elisa;
and they convinced the demographic vote that gave them victory without hesitation
"I do not understand very well what is happening, it is as if we were in a bubble," confessed
Mahmood
, who already won the
Sanremo Festival
in 2019 and was second in
Eurovision
that same year, before the penultimate gala this Friday. His words are not surprising because
Brividi
,
Blanco
and
Mahmood
have been simply impressive. Not only was it that they were the favorites from the beginning of
the 2022 Sanremo Festival
, but their song immediately jumped
to the top of the Fimi ranking
of the best-selling singles in Italy and also "broke" the
streaming
ratings , setting the
absolute Italian record
of reproductions in the first 24 hours on Spotify and entering the top 10 of the world list.
A phenomenon that is unprecedented.
Brividi
is a song that encompasses all the facets of love and that in a very short time has generated a symbiosis between the two singers that crosses the stage and the screen.
In the song, even their different visions of feelings, one more ethereal, the other more carnal, have merged perfectly, embodying the idea that it is possible to love in a universal sense.
"
The theme is that of freedom in a universal sense. In 2022 we can no longer stay close to the retrogrades,
we need to be able to dignify all the options
and I hope that more than us artists who have a leading role in Italy will do so.
Our generation live and think freely.
We are tired of people trying to judge others," explained Blanco, the youngest artist in history to win
Sanremo
.
The
birth of Brividi
, as told to
Corriere della Sera
shortly before the festival began, occurred spontaneously and almost unexpectedly: "
We met this summer by chance
in the studio of producer
Michele Zocca
. The chorus was born from a wrong chord in the piano. Then each one of us worked on the verses to tell
not only about love but about feelings according to our respective points of view
, "said Blanco.
Meeting again after a few months, the two songwriters immediately found
the right chemistry
, despite their age difference and different characters,
Mahmood
calmer, while
White
, wilder and more unpredictable, though incredibly focused for his age.
The tribute to Raffaella Carrá, the explosion of Sanremo
Without a doubt, it can be said loud and clear that love has won in
Sanremo
. A
Sanremo Festival
that, like every edition, becomes a spectacle, not only of music but of festivals. Last night, in addition to the victory of
Mahmood
and
Blanco
, there were two protagonists above all:
Raffaella Carrà
and
Sabrina Ferilli
. The first, because it was already screeching that none of the
Sanremo Festival
galas had paid him the tribute he deserves. The reality is that the Festival had left the bomb for last.
The festival wanted to remember the famous and popular artist, whose death last July 5 shocked not only Italy, but also Spain and Latin America, with the launch of the musical in the stalls of the
Ariston
theater , venue of the event that
"the Carrà"
, as it was affectionately known, presented in 2001. A
Carrà
-style explosion that left the audience at the
Ariston
speechless .
"16 dancers plus 1, as
Carrà
would have said " with iconic songs by the artist, such as
Explota Explota
,
To make love well
or
Fiesta,
among others, filled the stage with the strength that
Carrà
always gave off.
Raffaella
vibrated from the
Ariston
stalls to come back strong and full of energy in the hearts of the Italians.
But it was not the only moment of the night of a festival that in each edition surprises even more with what happens on stage. The other great protagonist was the actress
Sabrina Ferilli
and her
monologue "no monologue"
, highly applauded by the public and critics. "When I heard about the monologue, I asked myself some questions. These two years have been very hard and we have done so many monologues... And then, many of the most beautiful topics have already been touched on by my talented colleagues, what could say?", began her performance sitting next to
Amadeus
, presenter of
the Sanremo Festival
, on the steps of the stage.
After citing many of the topics that today are at the center of the target (feminism, love addictions, inclusion...) he decided to end the "non-monologue" monologue by quoting the great
Italo Calvino
: "But why my presence must necessarily be linked to a great cosmic problem to justify the fact that I am here? I am here for my work, my choices, my loves and my friendships. In the end I thought that the best thing to accompany me on stage was this, our history".
The result of Ana Mena in Sanremo, a disaster;
she does not
And
Ana Mena
?
The Spanish singer, who only the fact of having been part of the 25 artists chosen for the
2022 Sanremo Festival
has made history, she did not turn out as well as we would like her to have turned out.
Nor is the disaster of her song
De ella Duecentomila ore surprising.
because neither the press nor the demographic vote nor the televote liked it.
In all the galas she was between the penultimate and last place, and last night she finished penultimate only ahead of
Tananai
and her
Sesso occasionale
De Ella.
Things as they are,
Ana Mena
's song , which has been very well received in Italy, was not a good song for
Sanremo
, although everything indicates that it will become a success on the music charts.
Last night he tried in every possible way to improve the voting of the previous days and add more points, he did not succeed.
But what
Ana Mena
did do is that a Spanish woman stood on the
Sanremo
stage as a candidate and sang in front of more than 11 million people not only her
Duecentomila ore
, but
Il Mundo
himself .
The result, yes, was a disaster;
Ana Mena
, no.
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