Review The good boss: Javier Bardem, the fucking master
Nominations 'Maixabel', 'Hierro' and 'La fortuna', favorites for the Forqué Awards
When Javier Gurruchaga sang
'Journey with us
' on TVE,
Javier Bardem
started out in the cinema with
'The ages of Lulú'
. So so. Either it is, or it was well, that more than 30 years later they met again. Or almost. The Forqué Awards held on Saturday night were decided to pay tribute, probably by inertia, to the fireproof (or stomachic, as you like) the 80s and there was the head of the Mondragón band and, indeed, the boss, the boss. Together, side by side.
The awards given by the producers were decided, in effect, by '
The good patron
' and for the film directed by Fernando León de Aranoa and starring Javier Bardem were the mentions for best film and actor (his first Forqué). Valid then as a clue and predestination. Things have to be twisted a lot so that the record of 20 candidacies accumulated by the film at the Goya Awards does not translate into another brand.
For now, the film that portrays with a clarity that scares something more than just labor relations has already passed the first barrier. Almost 20 years after
'Mondays in the sun'
, which also won this same award, León de Aranoa is now fighting to show the reverse of that. If the first was a story of unemployed people who were hurt by an identity fractured by the market and its industrial reconversions from precisely the wounds of the 80s, the one that concerns us is the story, also identity, of a businessman, some workers and of the relationships that bind you.
And they condemn. Everything matches.
The best actress award went, with some surprise, to
Blanca Portillo
for her role as Maixabel Lasa in precisely '
Maixabel
', by Icíar Bollaín. He competed with Penelope Cruz, for
'Parallel Mothers'
, and that, so said, is a lot to say and a lot to compete. For the same film, and to say it all, it was the so-called Film and Education in Values Award. The documentary
'100 days with Tata',
by
Miguel Ángel Muñoz,
and the Ibero-American film that was already sweeping San Sebastián '
Noche de fuego
', by
Tatiana Huezo
, completed the list of honors in terms of cinema.
The winning series was '
Hierro
', by
Pepe Coira,
which in its second season has once again made the tragedy of the island's landscape coincide with the drama that a
Candela Peña
plays and plays
in the role of implacable judge.
For her, as she touches and for being implacable, it was also the award alongside
Javier Cámara
for her work in '
Venga Juan',
in its third season.
And so things are, the first of all the prizes to come already have an owner and patron.
And so.
And, by God, enough of the very reactionary 80's.
According to the criteria of The Trust Project
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