MomenTVs Pedro Almodovar and the incredible story he never told
MomenTVs The glorious vacillation of Bertín Osborne and Pablo Motos in El Hormiguero
TV Arturo Pérez-Reverte, without mercy and without forgiveness
The visibility that television gives is not given by anyone, not the radio, not the written press, or anything at all. So if you have to give explanations and be heard, it is best to choose the small screen and, if possible, a program with large audiences. That is,
El Hormiguero
. And this is what the authors who were hiding behind the pseudonym of
Carmen Mola
, the screenwriters
Antonio Mercero
,
Jorge Díaz
and
Agustín Martínez
,
did last night
, and who a few weeks ago placed themselves at the center of the media hurricane by winning the
Planeta Prize
for their book
The beast
. Since then they have tried to avoid the controversy by following the rule of 'quiet, you are more handsome'. Until last night, last night they had no choice but to answer, explain and get wet.
Spoiler
: the thing is so simple that as simple as it is, it surprises.
Aware of what it means to be the guests in
Pablo Motos' program
, the three authors-screenwriters took advantage of the visit to be able to give their version and, above all, to calm the spirits, very fired up since it was discovered that behind
Carmen Mola
, the false author of the trilogy
The Gypsy Bride
, there were
three men
. Those were days of 'being burned at the stake', of opening a melon that if it had not been for them would not have been opened or would not have been opened with so much contempt in some cases and so much praise in others. They said it themselves last night: "The issue deserves a debate and if in the end our 'coming out of the closet' generates more debate about it, it
seems very healthy to us
"And what is that? Well, taking it to the less brainy plane," a debate on feminism and literature. "
That behind
Carmen Mola
there was not a woman but three men, that her books have been sold like hotcakes and that they have also won the Planeta Prize has caused a debate that with all the sincerity in the world I find it difficult to understand.
When you choose a book in a bookstore, how do you do it?
Do you notice if the author is female or male?
Do you get carried away only by the title?
Do you buy, according to the recommendations that have been made to you?
Do you look at the summary on the back cover?
Last night
Pablo Motos
asked them something similar: "In an imaginary world without authors, would the list of best sellers change?"
You answer first before reading their answer.
"People want to read something they like. We hide behind a novel, not a pseudonym, and people liked it without even being in networks,"
Antonio Mercero
replied
.
"I think not. What connects with people are the stories, who has written it does not matter," replied
Agustín Martínez
, the most macabre of the three, the culprit of scenes like that of worms devouring a brain.
In fact, it was
Agustín Martínez
who got the most wet with all the controversy.
But it is that perhaps the controversy is not that, it is why they chose the name of a woman, why they were going to sell more,
qui lo sait
.
The caution of the authors behind Carmen Mola in El Hormiguero
A
controversy
from which both he and the rest have preferred to stay as far away as possible, although without them, without their
Carmen Mola
, without a pseudonym, it would never have become so visible. And you have to make them look at that, if they had not chosen the name of a woman, if they had not hidden behind an imaginary author, who would have spoken of feminism or machismo in literature? Yes, talking is talked about, but
would it have become so relevant?
Not a joke. It does not matter if they call it
"impudence"
, as did the opponents of the strategy of these three scriptwriters, it does not matter if they remove their books from their shelves, it does not matter if they are on target and that all the darts go against them, they are aware and what they transmit is that they do not want moves or to enter wells from which later they cannot get out.
"With how well it was in anonymity. It was much better when no one knew who
Carmen Mola was,
" they said as soon as the interview started in
El Hormiguero
, aware that as of today they will no longer be able to remain in that anonymity that you allows you to go down the street without anyone recognizing you.
And perhaps that is why they wanted to explain themselves, that is why they wanted to give their version, that is why they wanted to take away the iron from the matter.
Importance, just.
Neither controversy nor milk, here there are three friends who one day began to write a book that ended in a trilogy and who considered that putting the names of the three on the cover of a book was unsightly and would not look good.
There will be those who believe it and there will be those who do not, but as they told it, it made perfect sense: "It comes out that we are three and three names is horrible in a book. And then we made the decision of what pseudonym we could use. We were in a bar and we started talking, 'we wear an American one, Susan? No; a German one, Germán ?; Do we give ourselves a female name? Which was the most alien to us. Paula? No;
Carmen
? Yes. It's cool, isn't it? Well, it's cool,
Carmen Mola
. I swear we think about novels more, "said
Jorge Díaz
.
So simple, so uncomplicated, so simple, so naive and so silly that there will be those who will find it hard to believe it and others will be surprised.
This is how Carmen Mola was created
Is that his answer was the complete opposite of what has been speculated in recent weeks about whether they chose the name of a woman because now women are read more and female authors are taken into account more than if there was a great marketing campaign at the expense of women's literature, etc. As the creation of
Carmen Mola
was sold
It seemed that those who were behind more than scriptwriters were evil minds of crime, serial killers of literature. Well, neither so much nor so bald: three men who wrote a book, who did not like that their three names appeared on the cover, who left for reeds, who asked for "some bravas" and who began to think. Surely there was more to that conversation than a ¿Paula? Germán? Susan?
"We have lived it with great tranquility. We have tried not to get into social networks. And there have been things that have made us very funny. The Spanish ingenuity every time something happens is demonstrated with the memes," they affirmed with leaden feet because last night You could tell that yes, they were going to explain themselves, but that they were going to measure each of their words. They are aware of what they have caused and are not going to throw more into the fire. Not even when
Pablo Motos
asked them about the bookstore that removed all
Carmen Mola's
books
because it only sells author's books, did they dare to say a but. They limited themselves to welcome the debate and to ensure that what connects with people are the stories, period.
Better to be cautious
.
Now that we know how the name of
Carmen Mola
was conceived
, what is 'her' truth, it remains to be seen how three screenwriters manage to write a book, and not only that it makes sense, but that it becomes a
Planeta Prize
and the previous , The Gypsy Bride trilogy, one of the most widely read in recent times. "We are democratic. When you do not agree, we are three with what one of the ideas will always win," explained
Antonio Mercero
. "In the end reason triumphs and if an idea is bad you have to say 'your idea is bad'.
It is very important to leave the ego out,
" added
Agustín Martínez
.
Carmen Mola
has brought them many joys (there is a million euros from
the Planeta Prize
), but she also brought with her the sacrifice of a double life. Can you imagine having to hide for three years that you are
Carmen Mola
, that you are behind the creator of
The Gypsy Bride
? "At home you have 25 times the same book in Spanish because of the reissues that the editor sends you and, in addition, all the translations. The people who came home thought that he was depraved, that he had an obsession with this
Carmen Mola
",
Agustín Martínez
confessed
. "My daughter had to say at school that her father was a polyglot," added
Antonio Mercero
. Easy what is said easy should not be. Hiding behind a pseudonym has its advantages, but also its flaws and more when it is discovered and nothing is what it seems.
Because the secret of
Carmen Mola
, the theories about
Carmen Mola
were infinite and most extravagant, even
Letizia Ortiz
could be behind! "The one we liked the most was that
Carmen Mola
was
Manuela Carmena
and that is why she had retired from politics," they said. But now, when it has already been possible to assimilate that Carmen Mola is
Agustín Martínez
,
Antonio Mercero
and
Jorge Díaz
, there are still dozens of questions: Did no one really suspect? Did no one in the literary world really know? Is what
Carmen Mola's
parents have done really that bad?
?
Would you really stop reading his books because they were written by three men instead of one woman?
There he left that for you.
For now, I'm going to open
La Bestia
.
According to the criteria of The Trust Project
Know more
The Hormiguero
Pablo Motos
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