China News Service, Beijing, October 22. Recently, the 2021 5th Beijing Documentary Video Week "From the Real" Video Forum was held.

This forum held two core roundtable discussions on content creation cross-border dialogues "derived from reality" and new industry chain "derived from reality". Big names from various industries gathered together to share real themes of film and television. In the new track, the pain points, trends and solutions in cross-border content creation and industry paths.

Photo courtesy of the organizer

  Liu Jun, executive vice president and secretary general of the Capital Documentary Development Association, stated in his speech for the forum that Beijing Documentary Film Week aims to build a bridge for communication and cooperation between documentary and documentary film-related industries. The exploration of feature films can provide good suggestions for various realistic films.

  When answering a question about "the similarities and differences between good news, good stories and good movies", Zhu Xuedong, former editor-in-chief of China Weekly and editor-in-chief of Nanfengchuang, mentioned: "Good news is not necessarily a good story, but in real life it is true and good. A story must be a good news material; a good story is a good movie material, and a good news report content can also be a good movie material."

  Liu Tianchi, the founder of Liu Tianchi Performance Workshop, mentioned: "The film and television industry must pay attention to the most real news at the moment, because we must be from the truth, because the first two points in front of the performance are to have a sense of faith and There is a sense of reality. When we don’t fully understand the story, we must look for the authenticity and create a realistic story. After all, it is impossible to be all true." Liu Tianchi also emphasized that film and television works must always be passed on. Truth, goodness and beauty.

Photo courtesy of the organizer

  "To fabricate it, to fabricate it will lose the standard for itself, and it is a disaster to lose the standard in the field of directors." said Li Mo, director of "I'm Good in Another Country".

  "News is very objective, it's like grapes, and for a story, it's like grape juice, movies and TV dramas are derived from reality, just as grape juice is derived from grapes." "Undocumented Crime" "Great!"

"Youth" producer Qi Kang thinks.

  Vikram Channa, Senior Vice President of Discovery Asia-Pacific, said in a keynote speech at the forum that after the epidemic, relative to the offline cinema market, the global OTT (Internet TV) platform is deeply integrated. The ratings of the Ministry of Finance rose steadily.

The realism theme occupies a large share in the global OTT market.

Photo courtesy of the organizer

  Wei Keran said that South Korea's "Parasite" and "Squid Game", which has just hit the market, reflect the diversified reality in a multi-polar world.

Documentaries are increasingly emphasizing the sense of story and entertainment, and many movies are more pursuing source reality or texture authenticity.

Recently, the great success of the movie "Changjin Lake" reflects to a certain extent that we are using a way suitable for the understanding of young audiences to tell the past history well.

  When asked how to think about the role modeling and discourse power of story archetypes in news or film and television, Lei Diansheng, the first person to walk more than 81,000 kilometers in China in ten years and the first person to cross Lop Nur, said that it is his own to travel all of China. Dream, and this incident was made into a movie by accident. It was not an active choice, but it was indeed his wish to be seen by more people.

  It is reported that this year’s documentary video week in Beijing will focus on the development of the times and the current reality with the theme of "Recording a Hundred Years of Glory." Featured activities such as exhibitions, which are rich in content, create a new benchmark for the documentary imaging industry and expand the extension of documentary culture.

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