Chinanews.com, September 23. Recently, the "Family Family" public welfare art exhibition was launched at Beijing Delta Center.
The exhibition is curated by well-known art critic Lu Rongzhi, covering more than 30 home-related works by eight contemporary artists such as Dai Yinglun, Dong Yuan, Jiang Jun, Pan Geyang, Yang Fan, Yang Zhuhuan, Zhang Gewen, and Zhou Bin. This medium expresses the painter's faint nostalgia and reflects the changes of the times and society.
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The "Family" public welfare art exhibition is jointly organized by the massive engine pan-life integrated IP, Meihaochuangxiangjia, the public welfare project "Tou Tiao Xun Ren" under ByteDance, and the contemporary art platform Artand, hoping to convey "home" to everyone. Meaning.
The art exhibition was launched on September 20.
On the opening day, it attracted the attention and punches of artists from different fields and art-trends.
Well-known artists Cai Guoqiang, Zhu Deyong, Cai Zhizhong, and Shi Guoliang participated in the official topic of the event on the Douyin APP.
At the same time, watching the exhibition live online in the "@扑音寻人" live room, the cumulative number of viewers reached 37,000.
In addition, in this live broadcast, a creative artist in the art field @艺术圈张某某 was invited as the host, and participating artists such as Pan Geyang, Zhang Gewen, Zhou Bin, and Jiang Jun were invited to the scene, bringing netizens to watch the exhibition and explore The story behind the artwork.
At the scene, the blockbuster installation "One Step Away", which had participated in the top art exhibition Basel Art Fair, attracted the attention of many audiences.
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""One Step Away" is derived from the original appearance of the small yard I once lived in. The frame sizes of windows, straw hats, and vegetable baskets are all made according to the actual size of the original objects. In the yard, even if there is only a difference of one step and two steps, It will also bring about different visual effects and trigger different memories and emotions." Dong Yuan restored her childhood and brought us back to her childhood home.
Through the works of the "Opened Cabinet Series", we seem to have returned to our childhood, those playing times with nature and family.
"Home" is the place where we grew up. In "Chongsheng Temple", Jiang Jun portrays a 3 or 4 year old doll struggling to cross the threshold of the main hall, and the mother outside the main hall is waiting for him with full expectation.
Through the bright light outside the temple gate, it contrasts with the quietness and deepness inside the temple, conveying the mother's call for the growth of the child.
"Children in Fotang Village" is a replay of the playfulness between playmates when I was young, and "Grandma and Grandchildren in Fenghe Village" shows the time grandma spent with her children and grandchildren.
Pan Geyang's "Daily Pair 2" is a pair of leap sports shoes and women's plastic sandals.
In the memory of that generation, when "A Zhen fell in love with A Qiang", wherever you are, you are home.
"At that time I was taller than you" shows the author's interaction with his closest cousin when he was young.
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"Every moment of ordinary life will become an island that can no longer be reached in memory." Yang Zhuhuan's works such as "The Warm Back", "Heavenly Heart and Moon", "All Things Become Three", etc., are all about the natural life in life. And the beautiful hour light freezes the frame.
"Evanescence, I understand as an intermediate process between existence and nothingness. In this process, the traces of objects represent the traces of time and also reflect the traces of human existence." Through "Memory·Gate" and "Scars of Time" In "Secrets", Zhang Gewen recorded the "disappearance" process of small houses in his eyes under the changing times.
In the recorder's works, there are some creative ideas derived from the real case of "Tou Tiao Xun Ren" helping the lost and abducted to return home.
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In the work "In Search", Zhou Bin uses the true story of "Li Suyan, a girl who was abducted, finds home after 26 years" as his inspiration. The child in the picture has wide eyes, full of curiosity and fear. , Is the trafficker who will abduct her?
Or herself 26 years later?
"I hope to use this work to attract more power and help more'home-seeking children'".
In the live broadcast, the host and Zhou Bin connected to the painting's prototype protagonist Niuniu, and saw the changes after she returned home, and also saw more of the power of "finding home".
In Dai Yinglun's "Crowd, Looking at Lingnan", people who have been wandering for a long time are riding boats, crossing the wind and waves, looking for their homeland and blood that will not change.
"Urgent and anxious" was not worn away by time. They sat on the bow and looked around, climbed up the mast and waved the letters, looking for the direction of home through the binoculars.
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In the work "Toy Cars and Pinballs", Yang Fan shows the toys that the generations born in the 80s and 90s played with their friends during their childhood. In "Reunion", the elderly who returned to their hometown after being abducted 80 years ago talked with their girlfriends. The scene of is a prototype, and a creation that penetrates time is carried out.
Under these works, home has become a freeze frame of time.
It is reported that at 7:45 pm on September 24th, Meihao Chuangxiangjia will cooperate with CCTV-1 to create a live broadcast night, which can be watched in a live broadcast room of Douyin CCTV and CCTV life circle.