The "25th Hour" concert for the second performance of "Brother Who Overcomes Troubles" was staged as scheduled.
Zhang Qi and Bai Jugang rock and roll "Wukong". Among them, Zhang Qi's Peking Opera sings are magnificent, and the free creation of the paragraphs and the addition of the traditional Chinese musical instrument shakuhachi is amazing.
The collision between classics and popular not only injects new vitality into traditional music, but also ignites the cultural self-confidence of Generation Z.
In the program, Zhang Qi showed professionalism and enthusiasm in the "re-creation" part of "Wukong".
When designing the stage of "Wukong", Zhang Qi repeatedly listened to the original song 60 times, and proposed that he hoped to add Peking opera singing in the free creation section, and started with a solo of the traditional Chinese instrument shakuhachi.
When it comes to Chinese traditional music culture, Zhang Qi is excited. He said, "Wukong represents a state of perseverance, tirelessness, and courage."
On the stage of "Brother Who Overcomes Troubles", music is not only a work, but also an expression of value.
At the performance, Zhang Qi and Bai Jugang wore oriental red and black robes and sang "Wukong". Zhang Qi's Peking opera high pitch, Bai Jugang's subwoofer chanting white, and Chinese traditional instruments such as shakuhachi and big cymbals cooperated with each other. Expressing the "fearless" attitude in the song vividly, Zhang Qi's "long laugh" is overflowing like a Wukong-like warrior, drawing a strong and colorful ending for the whole stage.
The collision of rock and Peking opera has brought new vitality to Wukong.
With the development of multiculturalism, traditional culture is presented to the audience in a more vivid and vivid way.
The stage of "Brother Who Overcomes Troubles" always insists on spreading traditional culture in a presentation format that young audiences like, and guides a positive aesthetic with the huge influence of the program.
China is known as the "state of ritual and music".
Music is not only an important part of national culture, but also an important carrier of Chinese spirit.
Classic and popular music cultures fully merge and collide on this stage, bursting with vigorous vitality, continuing to add a vivid background to traditional culture, and igniting the cultural confidence of young audiences.