In addition to acting, these actors are also well written and even inscribed the title
An actor who doesn't want to write calligraphy is not a good actor.
As we all know, among the old actors, Tang Guoqiang, Wang Gang, Zhang Tielin, Ni Ping, Zhao Zhongxiang, Wang Zhiwen, etc. all have good calligraphy skills. Among the mid- and young actors, the characters of Xu Jinglei and Sun Li are also full of personal characteristics. Xia Yu's running script and regular script are also very good. To.
The calligraphy of Yi Yang Qianxi in the new generation is also very good.
What's interesting is that in recent years, some film and television drama titles have also begun to invite some actors with good calligraphy skills to write.
For example, the title written by Zu Feng for "The Twelfth Hours of Chang'an" is considered to have the brushwork of Lanting, and the titles written by Pan Yueming for "You Are My Glory" and "Ghost Blowing Lantern Series" are also praised as "strength and vigorous pen".
When people reach a certain age, they often compete with deeper things, such as culture, and actors are no exception.
When acting skills reach a certain level, if you want to go further, compete or rely on it, it is often cultural heritage.
Yes, if an actor is willing to calm down and accompany his pen and ink, then their study of the role must also be able to make a lot of effort.
Pan Yueming: Checking in on Weibo to post calligraphy and painting
Recently, the TV series "You Are My Glory" starring Yang Yang and Di Lieba released a poster, and @潘粤明 thanked him for the inscription of the title.
This made many people exclaimed. It turns out that Pan Yueming is also good at calligraphy in addition to painting!
In fact, this is not the first time Pan Yueming has written a title for a TV series.
After the "Longling Miku" starring him was broadcast, many viewers were surprised to find in the opening that the words "Longling Miku" were inscribed by Pan Yueming.
He also inscribed the titles of the two dramas, including "Yunnan Worm Valley" and "Nuqing Xiangxi" starring him.
Pan Yueming was born in Beijing in 1974.
Influenced by his father, Pan Yueming learned calligraphy and painting from an early age.
Father Pan proudly recalled in the program that his son was good at painting. He won the first place in Beijing Xuanwu District in elementary school and was later sent to Yucai Middle School, a key middle school in Beijing.
Looking through Pan Yueming's Weibo, you can find that he often publishes his paintings and calligraphy works on Weibo. For example, before his father's operation, he specially drew a sketch for his father (see the left picture above), praying for the operation to go smoothly.
"Look at what Pan Yueming wrote and drew today" also became the motivation for fans to watch his Weibo.
In 2018, Pan Yueming posted a warm photo of talking with his dad about painting and calligraphy, and the accompanying text said: "My dad's persistence in painting and calligraphy is always worthy of me to learn." In the photo, Pan Yueming and his dad are sitting face to face, and the father and son are holding them. The words are talking happily, and the picture is very warm.
For Pan Yueming now, calligraphy and painting are the best things for him to calm down.
He recalled that there was a process for him to realize the charm of calligraphy, "Forcing it is meaningless. My father asked me to write calligraphy before, and I never heard of it. I wanted to write calligraphy by myself. I copied it when I first started writing. "Heart Sutra" I want to draw myself, I even made a frame for the finished picture for the Chinese New Year, and I sent it to others. I want to take it back now. It's too ugly, too ugly."
Now Pan Yueming regards painting and calligraphy as "a kind of persistence."
He is used to writing and painting before going to bed after finishing work.
Sometimes, I'm too addicted to it, and it's dawn as time goes by.
In Pan Yueming's view, his interest in painting and calligraphy is enjoyment. He hopes to give himself a quiet place in the complicated life, not to escape, but to let himself go and do something that he likes.
Zu Feng: A low-key calligraphy master in the entertainment industry
Li Ya in "Latent", Cui Zhongshi in "Beijing No War", the singularity in "Ode to Joy", Li Chunqiu in "Mask"... Whether it is a period play or a modern play, whether it is a villain or a positive character, Zu The roles that Feng plays have the taste of a gentleman.
In the performing arts circle, Zu Feng seems to be a special presence. He graduated from the 96th star class of the Beijing Film Academy, and is in the same class as Zhao Wei, Huang Xiaoming, and Chen Kun.
But these years, Zu Feng is not tepid, but not impatient, and uses his role to convince the audience and make friends with the audience.
In fact, Zu Feng's calligraphy and seal cutting are also unique, and his calligraphy skills are based on the title and opening of the film inscribed on "The Twelve Hours of Chang'an".
Zu Feng once said that he has some relatively quiet hobbies and can control his rhythm so as not to lose control.
"Because I think the changes are getting faster and faster over the years. In such a fast pace, people may occasionally get lost."
The first time I knew that Zu Feng was good at calligraphy was in 2014, when Zu Feng's "No War in Peking" was rated as the best TV series on the Chengdu Business Daily readers' reputation list.
After learning the news, the producer of the film, Hou Hongliang, specially invited Zu Feng to write a picture, thanking the Chengdu Commercial Daily for their support.
Zu Feng also participated in CCTV's "The Beauty of Calligraphy" with the famous calligrapher Su Shishu. In the show, Zu Feng showed his calligraphy skills, and Su Shishu also praised him again and again.
Zu Feng's word out of the circle was during the broadcast of "The Twelve Hours of Chang'an" in 2019. The title of the film and the corresponding time titles of each episode were inscribed by Zu Feng (see the picture below).
Some calligraphers believe that the characters of Zu Feng have the essence of Wei stele, and the shadow of Cuanbaozi stele and Cuanlongyan stele.
The timing of the appearance of each episode also shows the brushwork of Lanting.
Director Cao Dun recalled that he and Zu Feng had been friends for many years and had always known that Zu Feng's calligraphy was good, so he wanted to ask Zu Feng to help him write down the twelve o'clock hours involved in each episode.
Zu Feng didn't know exactly what to write at first, and waited for Cao Dun to send him the words to be written, "He was crazy when he saw it, because there are dozens of episodes of the opening characters, and the name of every hour has to be written. In the end. He practiced at home and wrote a post to me after the practice."
This is the first time that Zu Feng has written the title of a film and television drama.
In an interview, he recalled that at that time Cao Dun asked him to write the title of the play, but he usually only copied books and couldn't write calligraphy. "Then Cao forced him."
Zu Feng revealed that he often copied ancient texts in lower-line scripts, and also made some posts, it was really not good to write the title of the play.
I wanted to write it awkwardly, so I thought of the stele, so I wrote it like it is now, "I wrote several kinds, and Director Cao picked this. Later, Director Cao said that the name of each episode should also be written, and it took a long time to write it. . Anyway, it’s a bad deal."
Zu Feng was born in Nanjing, and his love for calligraphy was cultivated since childhood.
When filming, Zu Feng will also bring the four treasures of the house, as long as he has time to write quietly.
When Zu Feng participated in Lu Yu's program, he recalled that after he was in college and after getting married, he often wrote letters to family, friends and lovers with a brush. Lu Yu repeatedly sighed "It's too romantic", "When I grow old, I read a box of letters. It’s great to have been filming in so many places."
Chengdu Commercial Daily-Red Star News reporter Qiu Junfeng