China News Service, Beijing, May 6th (Reporter Li Shuangnan) On the 5th, the "Intangible Cultural Heritage Offerings 100th Anniversary of the Founding of the Qinghong Art Exhibition" opened at the Beijing Folk Museum. A total of "post-80s" young Ou Sculptor Ms. Qinghong’s work was exhibited. More than one hundred representative works.
The exhibition will last until May 15.
Cao Yan, curator of the Beijing Folk Museum, said that the exhibition will also offer a "Qinghong Art" course at the "Dongyue Yaji", which can encourage Beijing primary and middle school students to participate in the experience and inherit intangible cultural heritage, and allow the general public to touch Wenzhou intangible cultural heritage. The charm and the feast of Qinghong's art.
Yang Sihao, director of the Wenzhou Intangible Heritage Protection Center, pointed out that the revitalization of intangible cultural heritage and traditional crafts fundamentally depends on the input and innovation of the younger generation.
Qing Hongou's "Revolutionary Red Ship" photo by Li Shuangnan
This exhibition covers a series of works created by Qinghong in the past nine years.
Among them, the Ou Plastic Ou Kiln double intangible cultural heritage combined creation series of works are eye-catching.
Qinghong's real name is Li Yile. She melted Ou Sculptures with history, cultural relics, Ou ware, and local soil. She created "Song Feng", "National Treasure Archives and Vessels", "Sanxingdui", "White Elephant Pagoda Cultural Relics", and "Wenzhou". Series of works such as Fengwu.
She embraces the feeling of "remodeling the classics", and based on the modern aesthetics, she intends to "restoring" and "returning to the ancestry", which makes the modern Ou Sculpture burst out of the tension and temperament of simplicity and elegance with refreshing and lively.
Ou Sculpture, originated in the middle and late Qing Dynasty, evolved from the traditional Chinese lacquer stacking technique, and has become a treasure of Chinese traditional culture through the reform and innovation of many generations of arts and crafts masters.
The materials used for Ou plastic are exquisite and environmentally friendly; the shapes are flexible and changeable, and they can be round or embossed. The works are colorful and have the characteristics of oil painting style. They are known as "three-dimensional oil paintings."
On June 7, 2008, Ousu was approved by the State Council to be included in the second batch of national intangible cultural heritage lists; on May 15, 2018, Ousu was selected into the first batch of national traditional craft revitalization catalogs.
The exhibition is co-sponsored by Wenzhou Intangible Heritage Protection Center, Beijing Folk Museum and the Institute of World Folk Culture, Renmin University of China.
(Finish)