WORLD:
If at some point everything starts again, the sound will be there again immediately.
Is it like riding a bike that you can do again right away when you're in the saddle?
Albrecht Mayer: At first, the
problem isn't so much the sound itself.
But our self-confidence, the security, the trust in our abilities.
Getting that back can be extremely difficult - we haven't seen some colleagues for months - especially if you've played for a long time without an audience and only for the microphone and for the camera.
For orchestras that have barely played together for more than a year, the lockdown is devastating.
WORLD:
What do you fear, at the end of the Corona crisis, the balance sheet for culture will be?
What will be lost?