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The supposed documentary “Lovemobil” by Elke Lehrenkrauss was exposed as a production this week.
After the film, which ran briefly in the cinema and was shown on television at the end of last year by the NDR, which co-financed it.
Now the question arises how the film was able to win at festivals, even win the German Documentary Film Award - and nobody noticed that the people in the film are not “real” at all.
We talk to David Bernet, himself a documentary filmmaker and, together with Susanne Binninger, board member of the Arbeitsgemeinschaft Dokumentarfilmer (AG Dok).
Bernet classifies the incident and explains what director Lehrenkrauss missed.
And says what consequences the case could have for the documentary filmmaking industry.
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Also in this edition of “Medien-Woche”: How Tom Buhrow will imagine ARD in 2030.
Jan Hofer, until recently the chief spokesman for the “Tagesschau”, receives a news broadcast on RTL.
Thomas Gottschalk replaces Dieter Bohlen in "Deutschland sucht den Superstar".
Julian Reichelt returns to "Bild".
And the New Responsibility Foundation has published a study on media literacy.
"The Media Week"
is a podcast about the world of media and its makers.
Christian Meier, editor at WELT, and Stefan Winterbauer, editor of the Meedia industry service, talk every Friday about the most important topics of the week.
Profound, analytical, entertaining.
Feedback to: medien-woche@welt.de
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