"Gold Medal Comedy Class" seriously discusses the creation and performance business of new comedy comedy
This week, the fifth episode of "Gold Medal Comedy Class" with Chen Peisi, Guo Degang, and Yingda as mentors was broadcast. The stage display and selection of mentors for the trainees were all over, and the group training began. A large number of outstanding young comedians began to follow the three. A gold medal mentor continued to "further study".
This show is not only the three professional tutors watching, but also the stage performances of young comedians. In the professional inheritance and dissemination of comedy, the audience saw a new atmosphere in the development of comedy.
Qilu Evening News·Qilu One Point reporter Shi Wenjing
Students create seriously
The work is very comedy
The purpose of the "Gold Medal Comedy Class" program is to find comedy heirs. The method adopted is to trace the roots of art and return to the tradition of learning art. The three gold medal mentors Chen Peisi, Guo Degang and Yingda "pass and lead" hand in hand. To cultivate talented comedy seedlings.
In the first phase of the program, after the forty groups of trainees were assembled, three instructors conducted assessments. The results of the assessment included admission, recommendation, and failure.
If you get three votes and lose the list, the student will go straight out; if you are admitted by the tutor, you can directly enter the tutor's student class; if you get a "recommendation", the student can listen in the tutor's class.
To the delight of the audience, there are not only cross talks and sketches, but also various comedy styles such as musicals, puppet shows, magic dramas, Kyrgyzstan operas, comedy dramas, and so on. This "comedy class" can be described as inclusive.
Because many of the students in the show are film and television actors, comedians, stage actors, funny internet celebrities, acting teachers, etc. who have worked hard for many years. Many of their "first stage" performances are pretty good, and it can even be said that they have a high degree of completion. Own characteristics.
Many programs are already very eye-catching and eye-catching for ordinary viewers.
There are a lot of sketches in the program. The themes, laughs and even crying points of these young students' sketches are young, fresh and distinctive.
For example, the skit "Unforgettable" performed by Haiyin and Haibao of the Happy Twist Team tells a story between an elderly person suffering from Alzheimer's disease and a delivery worker. Guo Degang shouted "I like it too much" and "The story is good." , The actors played well".
Actress Li Jingyu’s skit "Top Secret Files", under the tutelage of Chen Peisi's skit, the funny physical performance is brought to the extreme, the plot conflicts and catches people, it is very beautiful.
He Huan and Jiang Shimeng’s "Son Pretends to be a Dad" performance in the skit "Heaven is not afraid of the earth, I am afraid that the teacher is looking for my dad" is a test of skill.
The cross talk works in the show also have their own characteristics, and there are many novel works.
After the performances of cross talk actors Wu Nanyan and Wang Zhibo from Tianjin, Guo Degang praised him. Now it is not easy to find actors who have learned such serious folk art classes.
The new comedians Zhang Yu and Huo Xingchen from Shanghai are the overall champions of "Swordsman". This time, the works brought about are about the phenomenon of webcast, and the jokes are trendy and in line with the taste of young people.
In general, these shows have an authentic comedy heritage, as well as very new show innovations. Many of the works have surprising and high-level laughs.
Many young comedians in the show are very professional, serious, hard-working, and dedicated. In addition to delivering "authentic" comedies, this show allows the audience to understand the real comedy creation, performance process, and current comedy problems. The most important thing is to launch With a large number of young comedians in the world, it turns out that there are so many young people trying to immerse themselves in the world of comedy.
The instructor's comments are all "dry goods"
To convey the true spirit of comedy
In the program, the three gold medal instructors Chen Peisi, Guo Degang and Yingda have their own characteristics, styles, and very high speaking skills. They are all earnestly discussing the status quo and existing problems of comedy through the programs and performances of the students.
The evaluations of the three gold medal instructors on a group of students can be very different, and the audience will not feel that there is a problem, because they are too professional and are talking about business seriously. It is true that "the expert will know if there is any when it comes to it."
The three of Chen Peisi, Guo Degang, and Yingda are very interesting first when they get together.
The first time the three instructors robbed people fiercely, Zhang Yu and Huo Xingchen, the pair of cross talk actors.
Guo Degang introduced that these two students were his disciples and grandchildren, and he was their master. He pointed to the two mentors next to him and asked the disciples to call "grandma".
Chen Peisi strongly objected to the student’s natural selection of master Guo Degang’s class. He said that the works of the two actors are between cross talk and drama, and they already have the momentum for the progress of cross talk art. They cannot go back to the “door” and the master takes the old rules. Constrained.
Guo Degang wanted this pair of disciples even more and directly "returned": "Many cross talk actors do this and that, and they get lost in the woods."
In the comments, the three instructors "snake and fight three inches" is a professional class for dismantling comedy.
In the show, Chen Peisi has been talking about the threshold and norms of comedy, and has been pursuing the origin of comedy.
For example, in the face of the Northeast comedian’s performance, Chen Peisi emphasized that the actor’s personal skills are very good, but comedy is a work. There should be conflicts between characters and plots. Too many works focus on actor talent instead of Comedy conflict.
Guo Degang's favorite sketch "Unforgettable" is not low in its own level. The creative mode of "Happy Head and Sad End" is used very cleverly, with a full range of laughs and crying points, and the theme of great love is also presented very well.
The audience cannot see the flaws in the work, and the intuitive feeling may be difficult to immerse and enter the play.
Chen Peisi, as a professional tutor, said the key problem.
Chen Peisi said, “The work is very complete, but the performance of the actors is always in the process, and there is no process at all. (Story) is a process of'guessing in' each other between individuals, but the actors do not have this process at all. Works' It’s the effort of actors to communicate with each other’, but the actors perform their own roles, and no one knows their true abilities.” The audience understood at once. The key to not being completely infected is that the actors’ performances seem to be great, but they avoid the importance of them, and there is too little foreshadowing. , Just follow the plot, lack patience.
Chen Peisi’s professional comments provide viewers with an in-depth viewing perspective, and I believe this judgment will also benefit young people in the comedy industry.