David Gistau's
discovery
was to tear the genres, widen the column to beyond the canonical, break it without fear of reconstructing it using bits of cultural categories that seemed exiled from the Spanish press due to the prominence of the classical, but to which he, not without risk, it opened borders.
His success was to write as so many others try to write today at a time when most still wrote as before.
At the end of the nineties, on the pages of
La Razón
.
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