China News Agency, Beijing, February 2 (Reporter Ying Ni) Because her poems were criticized, Jia Qianqian, the daughter of the famous writer Jia Pingwa, recently appeared on the hot search.
The topic of "The Second Generation of Wen" once again broke the circle.
For the "second generation of Wen", the prestige of the parents can attract more attention, and with it, heavier pressure and expectations.
Di'an, one of the best-selling young writers, is the daughter of writers Li Rui and Jiang Yun.
She has been on the rich list of Chinese writers for three consecutive years.
When she published her first novel, she dropped the word "Li" to show her independent creation.
"Talk about your parents' influence on you" is a question that must be asked every time you receive an interview.
"If I have to say any impact, it is because there are more books at home, and I have been able to read a lot of books since I was young." This is almost a fixed answer.
Jiang Fangzhou, who published the book "Developing" at the age of 12, surprised the outside world with his precocious brushwork. Some people suspected that his mother, the Hubei writer Shang Ailan, wrote the article.
In 2008, Jiang Fangzhou passed the Tsinghua University's independent admission examination and became a "prestigious talented girl".
As his mother said, Jiang Fangzhou was previously called "Shang Ailan's daughter", but now even acquaintances call her "Jiang Fangzhou's mother".
Zheng Yaqi, the son of "The King of Fairy Tales" Zheng Yuanjie, founded "Pipiru" magazine in 2005 and re-planned the "Pipiru General Mobilization" series of books. In 2010, he founded Beijing Pipiru General Mobilization Culture Technology Co., Ltd. and served as CEO.
Naduo, formerly known as Zhao Ting, gained market recognition for his suspenseful mystery novels.
His father is the writer Zhao Changtian, the editor-in-chief of "Sprout" magazine, and the initiator of the "New Concept Composition Competition".
Guan Xiaoxiao, the daughter of the famous writer Mo Yan.
He launched his debut novel "A Ruminant Dog" in his freshman year. He is now a teacher at a university in Beijing and also serves as Mo Yan's "agent" role.
The daughter of the writer Liu Zhenyun, Liu Yulin, directed the movie "One Sentence Is Ten Thousand Sentences". Prior to this, the microfilm "Door God" written and directed by her has won many international awards.
Writer Hai Yan's son Lu Haojiji directed "Prince Concubine's Promotion" is a blockbuster.
The movie version of "Xu Sanguan Selling Blood" directed by Yu Haiguo, the son of writer Yu Hua...
This list will be very long, and it can be seen that the profession of "The Second Generation of Literature" is not limited to writers. Even with the help of their parents' aura, they still need to produce recognized works in the end.
In fact, many parents of writers do not want their next generation to continue writing.
Behind the predecessor scenery is the painstaking effort under the lonely lamp, the exhaustion of the bottleneck, and success is not easy.
The author Ye Zhaoyan’s grandfather is the well-known Mr. Ye Shengtao, and his father is Ye Zhicheng, who was the editor-in-chief of "Yuhua". Ye Zhaoyan had previously revealed that his father wanted to study science or engineering by himself, and Ye Zhaoyan did not want his daughter to be a writer, but his daughter Ye Zi's major is related to literature.
"Post-80s" writer Zhang Yueran once said that although his father was a teacher in the Chinese Department of the university, he never wanted his daughter to become a writer.
In this regard, although Ye Zhaoyan always felt that writing had nothing to do with family, “it’s not like traditional Chinese medicine, where there are unique secret recipes that can be passed on from generation to generation.” However, literary critic Bai Ye believes that the origins of many writers have a profound relationship with the literary world. The influence of the family, the state of reading and writing from an early age, this influence is subtle.
Gao Hongbo, vice chairman of the Chinese Writers Association, also said that writing is difficult to inherit, "but you have to admit that a child who grew up in a writer's family will be blessed with his parents' large collection of books, and enjoy a spiritual meal."
Coming back to Jia Qianqian’s topic, the poems currently criticized on the Internet are interpreted from two poems selected from his collection of poems "The Inland Lake in Coconut". The attacks on the Internet only target these two poems, and almost no one is. I watched all the works to make objective comments, and at the same time played the role of "Jia Pingwa's Daughter".
Media person Zhang Feng bluntly said that it is not impossible to play, but it cannot be without boundaries.
Many doubts are based on the imaginary "inside theories".
"The attack on Jia Qianqian is not a poetic criticism or commentary, but a typical network communication."
Readers can also see that even if they are engaged in writing, the style of the second generation of "wen" is very different from that of their parents.
As a generation that has grown up in the process of urbanization, the "second generation of Wen" generally does not have the compassionate feelings of their parents that pay attention to the whole society. They write more about personal growth, which reflects the changes of the times.
In the opinion of literary critic Chen Xiaoming, this difference can almost be described as "rebellion", but he frankly admits that the growth environment of the second generation of literature is far superior to that of his parents, and that the pluralism of readers' aesthetics and the development of copyright protection are more beneficial to individuals. The play of talent.
Fundamentally, in order to be respected, "Wen Er Dai" also has to produce works that can stand up to it.
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