[Explanation] On the afternoon of January 18th, the film and television creation meeting on the theme of rural revitalization was held in Changsha.
An Ran, Chairman of the China Arts Festival Foundation, Gong Hanlin, a national first-class actor, Xu Bailin and Rao Shuguang, former secretary-generals of the Chinese Film Association, famous screenwriter Chen Baoguang, director Zhu Shaoyu and other film and television professionals, and the Publicity Department of the Hunan Provincial Party Committee and the Hunan Provincial Poverty Alleviation Office Relevant persons in charge gathered together to discuss the film and television creation of rural revitalization in the "post-poverty era" and discussed the script creation of the film "In the River Continent".
At the seminar, Gong Hanlin said that 2021 is the initial stage of the rural revitalization strategy. Under such a big environment, keeping in touch with the pulse of the times, it is very honorable to participate in the creation and discussion of the rural revitalization film and television works.
He believes that works of this kind should not be imagined out of thin air, and should be created in a down-to-earth manner and with the fragrance of earth.
[Concurrent] National first-class actor Gong Hanlin
We must be down-to-earth, imagine and create with the fragrance of the earth, and apply the real life logic to the aesthetic means of our film and television creation, rationalize it, and beautify it. I believe such a movie will stand the historical time. The test will stand the audience's scrutiny and acceptance of it.
[Explanation] It is reported that, as a film and television work on the theme of rural revitalization, "In the River Continent" tells that in order to change the destiny of a poor and backward small mountain village in the Greater Xiangxi area of Hunan Province, under the leadership of poverty alleviation cadres, they are struggling to find a way to revitalize. The story of a happy life.
Jiang Kun, chairman of the Chinese Folk Artists Association, said in his video speech that he hopes that the main creative team will have a deeper understanding of the folk customs and historical culture of the western Hunan region, provide more rich details for filming, and increase the overall artistic level and appeal of the film.
In this regard, Gong Hanlin also said that filming is not only a drama structured drama, but also meticulous "fine" and careful "fine".
The quality of a film often depends on the handling of details, so it must be highly unified between actors and characters, art and life, experience and embodiment.
[Concurrent] National first-class actor Gong Hanlin
In all the sketches I cooperated with Teacher Zhao Lirong, we were all on thin ice, serious.
Every time when the script came out, Teacher Zhao would take the script not to find others, but to her neighbors, family, friends, and colleagues, just to ask, do you think this is true?
[Explanation] Gong Hanlin believes that as an actor, you need to be quiet. You are better at observing during the quiet process, and you can accumulate in the process of observing. Only after accumulating can you accumulate and make thin hair on the stage before the screen.
[Concurrent] National first-class actor Gong Hanlin
We are indeed very active on stage. Everyone may just see them in front of the stage and on the screen without contacting them in life, including (Chen) Peisi, including Pan Changjiang, including Huang Hong, etc., in fact, in private It's very quiet inside.
Reporter Xu Zhixiong reports from Changsha
Editor in charge: [Yu Xiao]