Song Seung-hwan, the producer of

<Anchor>

'Nanta,' and was the director of the opening ceremony of the PyeongChang Winter Olympics, stood on the stage after a long absence.

Corona 19 caused the performance world to sway, and personally, there were trials that caused his eyesight to deteriorate greatly, but he found hope on the stage.



This is reporter Kim Soo-hyun.



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A local theater company in England in 1942, during World War II.



The old actor feels that his life is short, but he prepares for the performance of'King Lear' with the family of the theater company.



[You have to learn more to endure, endure, and endure!]



Song Seung-hwan, who returned to the theater stage after nine years as an old actor of'The Dresser', had seriously deteriorated his eyesight two years ago, but it was not a big problem in front of his passion .



[Song Seung-hwan/Actor: I listen to it using the TTS (Text-to-Speech) technique.

I memorize it while listening to it all.

It was a little uncomfortable at first, but rather than memorizing while watching, it speeds up later.]



Dongseon is learned through repetitive practice, and instead of weakened vision, it relies on sensitive hearing.



[Song Seung-hwan/Actor: The other actor and I cannot see well with my eyes, but I can communicate as much as I can with the feeling of listening while listening to the lines...

.] The



characters in the plays that continue to perform even during the war overlap with the playwrights trying to protect the stage amid the Corona 19 crisis, and ours trying to protect the workplace.



That's why Song Seung-Hwan's greetings from the stage by the old actor in the play are also the greetings that Song Seung-hwan gives to today's Korean audience in 2020.



[Stage greetings of the old actor in the play: We are doing our best in each place to survive and survive.

Our lowly actors are also fighting another fight to risk their lives.]



This play was stopped amid the war of Corona 19, but Song Seung-hwan will continue his life on stage by enduring and enduring like

the lines

in the play.