Chinanews.com, Beijing, December 7th. On the 5th, the National Centre for the Performing Arts held an art dialogue of "Dance·World——A Dialogue on the Stage", inviting dance screenwriter Zhang Hao to talk to Shen Wei, Tan Yuanyuan, Hong Xiao, Li Xing, Hua Xiaoyi, Li Ang, Yang Hao, etc., jointly discussed how to use television, the Internet and other forms to broaden the presentation of dance art and stimulate the public's potential for aesthetic education.
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In traditional thinking, the public often regards the theater stage as the best way to appreciate dance art, which also determines that from the past to the present, most dance creations or performances are based on the perspective of theater.
With the expansion of the influence of television media, the all-round and three-dimensional form of transmission of television programs, combined with stunning technology and technology, has brought more possibilities for the display and promotion of dance art.
The second season of "Dance Storm" broadcast by Hunan Satellite TV, as a typical representative of the popularization and promotion of current TV programs integrating dance art, has become the material blueprint for in-depth discussions by the guests.
In terms of expression, the program brought together many top young dancers at home and abroad, with dance art as the core, breaking through the boundaries of dance types and culture, breaking the barriers between elegant art and popular art, and presenting a dance feast for the public. The popularization of niche art opens up new ways.
The program uses audio-visual language as the carrier, and through the high-tech presentation and the breadth of dance types, the modern dance, classical dance, ballet and other artistic dances have established a good communication with the dance and body aesthetics that the public lacks. Interact with.
At the event, when talking about "what the stage means", the famous choreographer and visual artist Shen Wei bluntly said: "I think art is universal. We see something through our eyes, and we know and understand through our minds. And the knowledge received."
Tan Yuanyuan, the principal of the San Francisco Ballet, discussed how to reshape the body and aesthetics with the most western dance language, and how to pass the beauty of ballet through the body and mind and convey it to the audience.
Li Xing, the winner of the domestic grand slam and the first international six dance awards, shared the path of young artists in dance theater, using the perspective of choreographers and TV programs to explore new ways: "The language of the lens is another language and needs to be renewed. Convert."
The young dancer Hua Xiaoyi puts forward his thoughts on the integration of classical dance and modern technology through his own differentiated experience of TV programs and traditional theater.
Li Ang, a post-90s dancer, shared the current state of art exploration of contemporary street dance dancers and the experience of colliding with various dance art at close range.
The show producer Hong Xiao analyzed how variety shows can lead the public to perceive the diversity of aesthetics and enhance the public's level of beauty. He also talked to the public about the original intention of the second season of "Dance Storm"-let the dance art break through the boundaries and embrace the public: "Maybe you have heard of movie stars and singers. Their art forms are very easy to accept. The performance of dancers can only be felt in the theater. There is a lack of more channels to understand them. This is the beginning of our design of this program. Original intention."