[In-It] The master who won the'document novel', honoring him forever sleeping

I've been curious about what kind of person Ken Burns is.

How do they look like, how old they are,

how

can they continue to produce for nearly 40 years of

thick line documentaries dealing with'American Heritage'

?

Apple's video editing tools iMovie and Final Cut Pro even have a visual effect* named'Ken Burns' named after him.

(*Effect of slow zooming in/zooming out or panning still photos) A unique documentary who constantly makes authentic documentaries enough to be ignored by the public in the capitalist kingdom of heaven.

As you search for an eye-catching American documentary, you will eventually encounter his name.

Jazz (2001), Baseball (1994) and The National Parks (2009), which have DVDs of interest since The Civil War (1990). , <Vietnam War>(The Vietnam War,2017), last year's <Country Music>(2019) series, Ken Burns has walked through the world of classic documentaries.

The reason why some of the questions about Ken Burns were solved was that early this month, CBS' renowned current affairs documentary program <60 Minutes> (60 MINUTES) dealt with him.

can hear from Ken Burns' story when he started directing a documentary with <Brooklyn Bridge> in 1981 to how he was able to produce a documentary dealing with'American subjects' for nearly 40 years. It was nice.

There were documentaries like Ken Burns in Korea.

Sue Woong.

He joined the KBS PD in 1973 and was praised for his 30-minute documentary <Secondary Minute> about Jindo's funeral culture in 1977, and received the'Golden Half Award', an international award.

According to the article, it seems that it was exciting in the Korean broadcast and documentary scenes at the time.

Director Soo-woong Sue received the broadcast awards four years later for his works such as <In Search of the Origin of Buddhist Culture> (1978) <The World of Bhikkuni> (1979) and <The Mystery of Silla Daewangam> (1980).

He left KBS in 1982, who was producing the series'Korean Beauty' and'Rediscovering Korea'.

Chun Doo-hwan, who was instructed to produce a biographical film for President Chun at the time, “From Hwanggang to Bukak,” wrote a lot of aesthetic resignation (it is said to be difficult to confirm).

Since then, Director Jung has continued to walk the path of an independent documentary except when he was scouted for a Japanese production and had an enemy.

His attitude toward documentaries was sometimes accessible through newspapers and magazines, but it became a model for me every time.

What do you think a documentary is?

"In documentary, staring at the times is the most important duty. Since documentary is a recorder, if there is a god, I believe that if there is a god, the president is not envious. Because the life of a recorder is a sacred thing, the president is not envious. It captures the facts with a camera and shoots the video. Isn't it cool to bring out the truth in facts and deliver them by editing it with?"

(Interview with the Chosun Ilbo in 2013)

Documentary and documentaryists well-known to the Korean public are Lee Choong-ryul of <Wonang Sori> (2009) and Jin Mo-young of <Nim, Don't Cross the River> (2014).

This is because they attracted nearly 3 million and 5 million audiences in theaters, not TV, respectively, and created a social syndrome.

Director Soo-woong is hardly known to the public.

However, if you have to write the history of Korean documentary, it is a name that cannot be left out.

Soowoong Sooung was an object of respect that was too far away for someone who had soaked his feet in a TV documentary like me, and because he was of age, he couldn't even expect to meet him, but he had an unexpected opportunity to meet him.

In November 2005, my SBS special <Wills-Remember Death> was selected as a'Good Program of the Month' by the Korea Communications Commission and went out to receive an award.

At the time, the 62-year-old president came out as a winner, not a prize winner (this is important).

Mr. Jung won the Good Program of the Month for the 60th anniversary special plan of the 60th anniversary of liberation, which was broadcast on KBS at the time.

At the time, when I announced my impressions of the award, I said, "It is a great honor to be standing at the awards ceremony with my respected director Soo-woong."

I was serious.

Even if no one knows much, Soo-woong Sue is a documentary from the sixtieth birthday to the seventh birthday, writing a script with a camera, <Songhwagang, The Breath of Koreans>(1990) <Slave Boy Antonio Corea>(1993) <50 Years Lost, Korean Americans >(1995) He made more than 40 thick documentaries dealing with'Korean Heritage', including <Seunghee Choi, Dancer of the Century>(2002).

Like Sensei Han Chang-gi, who first published the magazine <Tree with Deep Roots>, which introduced exclusive use of Hangul and full horizontal writing, he explored what is Korean and left it as a record.

And he quietly passed away in January of this year, about a year ago.

The teacher told his family not to obey obituaries, and even the news of the death was reported briefly in several daily newspapers after 15 days.

Now, it seems that the era of TV documentaries, which took place in terrestrial TV in the past, is almost over.

As terrestrial livelihoods have become difficult, it has become difficult to produce large documentaries as in the past, and KBS, a public broadcaster, is soon buying and playing documentaries for the BBC.

New documentary formats are emerging, but they are not receiving great response from viewers in the age of observational entertainment.

Personally, I wrote a five-part web documentary called ``Respond to Noryangjin Market 1971-2016'' in 2016, and a three-part web documentary called ``Beautiful Gangsan'' in 2017, which tells the story of the'Beautiful Strong Mountain' resonating at the Gwanghwamun Candlelight Rally. They produced and distributed through the video mug channel to explore the possibility of documentary in a new media environment, but they did not get the momentum to continue.

don't know if it is the power of the platform, but on Netflix,

such as <Tiger King>, <Social Dilemma>, <Michael Jordan: The Last Dance>, and <Sakura-The Secret of the Tomb> It is also attracting attention.

Scott Pelli, a veteran journalist who interviewed Ken Burns in 60 Minutes, narrates:

Ken Burns' documentary has a breath that viewers can think and see.

("His films have the pace of patient revelation. And time to think.") In an era where content creators say that they should go not Ki-Seung-Jeon-Gyeol, but Gyeol-Gyeol-Gyeol-Gyeol.

These days, people spend the longest video viewing time since Dangun, but people don't wait.

Ironically, if you want to spend such a long time watching videos, it seems that the time spent on individual content will have to become shorter and shorter.

Ken Burns, 67, is still producing seven documentary series at the same time.

Topics include Hemingway, Muhammad Ali, Benjamin Franklin, and the history of the American Revolution.

Seven years ago, Chil-soon's documentary Su-woong Soo was planning'East Asia's turbulent 20th century-going to the scene'.

Asked the reporter who visited.

What is the'East Asia turbulent 20th century' to do?

“The 20th century was the era of film when mankind first met. There are so many evidences of historical facts. These are too vast in themselves and of no value if they are just scattered as they are now. This is in the form of a documentary series. I have already found a library by myself, and I have planned for an 18-part series, so I have a list of video materials from the BBC and elsewhere. You have to look at this list and buy the necessary materials according to the script."

(Chosun Ilbo, Jan. 26, 2013'Shin Dong-heun's Human Cafe' interview) The

reporter asked again, "It would cost a lot of money to buy materials."

"I'm working hard on lottery (laughs). I'm not alone, and it's not something that a single broadcasting station can do. I think it's a national business and make it in our time."

It would be a non-profit class, but Mr. Jeong's answer, "I work hard on the lottery," sounded very lonely.

No one has ever wanted to record something to be left in history and future generations in a video documentary even if he played lottery at the age of seven.

Given the'market' situation, it will not be easy in the future.

I'd like to quietly'record' here, even though the life of Soo-woong Ko, a documentary who will soon come to the first cycle, reminded me of the Ken Burns interview.

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