The Prado Museum has withdrawn from its
guest
exhibition
a painting attributed to a certain Concepción Mejía de Salvador, from Granada, which turned out to be actually by a certain Adolfo Sánchez Megías, from Almanseño.
In my opinion, imagine the consternation of the high command.
To include him so lightly in that exhibition dedicated to forgotten artists has been, as one I read would say, "a direct punch to the liver of culture."
It was so so that even I heard him: "There is a man in the seraglio!"
To continue reading, go Premium
Are you already Premium?
Log in
Monthly
€ 1
first month
and then € 7.99
I want it
Annual
4 months free
€ 59
Free 1 year of Standard Legálitas (valued at € 240)
I want it
Discover what is Premium
Cancel whenever you want
Check the terms and conditions of the service
According to the criteria of The Trust Project
Know more