SERIES.'The Walking Dead ': the zombies that never die
In the middle of the trench, some bored republican soldiers exchange tobacco with the Francoist enemy in exchange for rolling paper.
It was a scene from
Berlanga's
La Vaquilla
(1985)
, one of the first comic approaches to the Civil War.
Now Reds and Nationals are forcibly uniting to fight an army of the undead.
Zombies and Civil War with Nazis
(and some nuns) involved, like mixing Berlanga with
George A. Romero
: that's
Malnazidos
, the film by
Alberto de Toro
and
Javier Ruiz Caldena
that opens today the 53rd edition of the International Film Festival Fantastic of Sitges.
Nationals and Republicans Fighting Together?
It is science fiction.
They are irreconcilable sides, but due to the situation they have no choice but to make a truce, a parenthesis.
Then the differences will return ... War is the framework in which we put the characters, who
make more moral than political decisions
, ”explains De Toro.
Malnazidos
is pure genre cinema with a touch of series B. "Almost all zombie films have that spirit of series B, we wanted a commercial and accessible film, avoiding political readings", admits De Toro.
Based on the novel
Night of the Dead of 38
by Manuel Martín, the film is the antithesis of the traditional, realistic and dramatic image of war.
Of course the war was a tragedy, many movies have already explored it.
But 80 years have passed, it can also be explained from humor and the fantastic.
In the United States they do it constantly: they put Abraham Lincoln hunting vampires in a movie and nothing happens ”, claims Ruiz Caldena.
Malnazidos
begins with a Nazi experiment in a remote Spanish town.
And a near-execution.
It is not a traitor or a red man who is on the wall in front of the nationals but
a somewhat thuggish Francoist captain
who in his normal life was a lawyer (played by
Miki Esparbé
, who spends the film dressed as a kind of Indiana Jones with leather jacket).
To get rid of the execution, they send him on a suicide mission in the middle of no-man's-land, where he will first run into a Republican detachment and then a horde of the undead.
«It is not usual for the protagonist to be from the national side.
But fascism is not being whitewashed, nor is there a Manichean or one-color vision, ”says Ruiz Caldena.
The directors vindicate it as a choral film, with characters that, as
in all zombie apocalypse
films
,
are gradually falling apart.
"They are all protagonists, the bastards of the title who have had the bad luck of being born in that tragic time, who have seen themselves in a war in which they did not want to be," says De Toro.
Reds or nationals, zombies don't understand uniforms.
According to the criteria of The Trust Project
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