China News Service, Beijing, September 22 (Reporter Ying Ni) Two months after the Chinese film market restarted, a total of 150 million people went to theaters, setting a box office of more than 5.4 billion yuan (RMB, the same below). The main force of movie watching after the resumption of work.

Data map: The audience scans the QR code to pick up tickets.

Photo by China News Agency reporter Jia Tianyong

　　The "2020 Cinema Resumption Report" (referred to as the report) jointly launched by the Beacon Professional Edition and Taopiao on the 22nd summarized the market and user data.

　　The report shows that from July 20 to September 20, 2020, the total box office of Chinese movies reached 5.416 billion yuan, and the top two box office contributions were "Eight Hundred" (2.88 billion yuan) and "I am waiting for you at the end of time" (500 million yuan) Two domestic films.

Both in the box office and the number of movie viewers, the two domestic films performed well, and they strongly drove the market on multiple levels.

　　Among them, "Yaobai" has been known as the "Milestone of Chinese War Blockbuster" since its release. It has won the weekly box office champion for five weeks since its release. It currently ranks among the top 10 Chinese film historical box office lists with a box office of more than 2.8 billion yuan, and tops 2020. The global champion at the box office.

　　In addition to box office performance, the report also analyzed data on ticket users.

The report shows that the "post-95" has become the main force for movie viewing after the resumption of work: not only the overall viewing ratio is the highest (33%), it accounts for 30% of the midnight audience, and the proportion of ticket purchases during the Qixi Festival has also increased compared with the same period last year.

Data shows that the proportion of "post-95" Chinese Valentine's Day tickets has increased by 5% compared with that of 2019, and has become evenly matched with "post-90s" and has become the main force of festival viewing.

　　Another slightly unexpected statistic is that the "post-95s" not only love festivals and midnight shows, they are also paying for classic movies.

According to the report, the classic film "Harry Potter and the Philosopher's Stone", which was re-released after 18 years, has the "post-95s" crowd, which is more than 20% higher than the "post-85s".

　　In addition, the report also revealed some "new normals" in theaters in the post-epidemic period.

For example, group viewing behavior (more than three tickets in a single purchase), the proportion dropped by nearly 6% compared with 2019.

As October approaches, a series of films such as "Win the Championship", "My Hometown and Me", and "Get Home at One Point" will be released successively in the National Day file. In addition, the theater attendance limit has been increased to 75%. The Chinese film market is expected to Ushered in an explosive growth.

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