China News Service, August 7th (Reporter Xu Yin) Since its broadcast on July 17, the urban emotional drama "Thirty Only" has aroused heated discussion among audiences with the development of the plot, and related topics have topped many social platforms. Become a major phenomenon-level drama this year. "Thirty Only" shows the confusion and frustration of urban women, hoping to convey the concept of respecting women's diverse choices, not defining women, and not imposing standards," said Zhang Xiaobo, the director of the play, in an interview with reporters on the evening of the 6th.
It is reported that the TV series "Thirty Only" tells the story of three women of different backgrounds, occupations, and personalities who encountered life and career difficulties at the age of 30 and sought a breakthrough and found themselves back. Shanghai Piao single young girl Wang Manni played by Jiang Shuying, full-time wives of Shuangshang Online played by Tong Yao, Gu Jia, Mao Xiaotong played by Zhong Xiaoqin, who is highly universal in life, are three 30-year-old women with different life situations The story unfolds slowly with the plot, and the mood that affects the public also changes.
"Thirty Only" director Zhang Xiaobo. Photo courtesy of respondents
Director Zhang Xiaobo has successfully directed male theme dramas such as "Big Man When Marriage", "Good Mr." and "I Love Male Nanny". Speaking of why I stepped out of the "comfort zone" and challenged female-themed dramas that I had never tried before, Zhang Xiaobo said, "In the beginning, the film industry gave me this story. Most of the films I did before were male-dominated. I have filmed female-themed dramas, but in fact I have always been interested. The relationship between the characters in the "Thirty Only" script, including conflicts and conflicts, is quite interesting." Zhang Xiaobo pointed out that three completely different emotional relationships he has never seen before, and this is also the original intention that most impresses a director to create.
In fact, under the direction of Zhang Xiaobo, who is good at male-themed dramas, "Thirty Only" also shows a different perspective from other female-themed directors. In previous female dramas, almost all men "reduced" into supporting roles and became the "green leaves" that set off the heroine. Zhang Xiaobo didn't think so. "The most important part of the female theme is men. In the drama, we are They are all painted with ink, not red flowers and green leaves. They have their own personalities, especially Chen Yu. In fact, he is also very passionate and romantic, but we are not focusing on this romance, we are focusing on embarrassment The more you look back, you will find that Chen Yu has special valuable things on him, and there are some'highlights'".
At present, "Thirty Only" is currently being broadcast on Dragon TV. With the development of the plot, Shanghai Piao Wang Manni worked hard to take root in Shanghai but still failed to do so. Gu Jia knew that Xu Huanshan had derailed and helped with the aftermath. The display of the plot also really made many viewers "unreasonable", thinking that the show has returned to the "wrong circle" of women's infinite dedication. In response, Zhang Xiaobo responded that "Thirty Only" is not a cool drama, "What we want to express is a reflection of reality. Many marriage problems that arise in reality sometimes cannot be solved in a satisfactory way. I hope to pass "Thirty Only" "Showing some of the difficulties faced by urban women nowadays is to respect women’s diverse choices, not to define women, and not to impose standards. Labels such as'good wife and good mother' or'all-powerful female warrior' may restrain women and hope that women can live. Be more free and don’t have to take into account other people’s criteria too much.”
"Thirty Only" director Zhang Xiaobo. Photo courtesy of respondents
"Thirty Only" shows women's workplace dilemma, birth and marriage, and the inability to balance family and career...... It is the real life problems faced by contemporary women in real life. In addition to the real details, vivid characters and delicate emotional depictions, the popularity of "Thirty Only" and the attitude of facing difficulties, the positive attitude of women courageously fighting and self-salvation expressed in the drama is not It doesn't matter. "Focus on women's life propositions in the new era, so that every audience can find a little figure in their lives in the play, and then have emotional resonance and trigger thinking," Zhang Xiaobo said.
Zhang Xiaobo said that the popularity of "Thirty Only" also gave me more "assuming", "As a director, through this attempt, I know that I can shoot female subjects, and I feel that if possible, I will shoot female subjects. The subject matter can be better shot, I hope there will be more opportunities to try in the future." (Finish)