A man stood in the hands of al-Ma`mun, who had committed a felony, and al-Ma`mun said to him: By God, I will kill you. And the man said: Oh Commander of the Faithful, be careful with me, for kindness is half the pardon. He said: How can I swear to kill you? The man said: O Commander of the Faithful, because God has received a trumpet better for you than to receive him as a murderer; So he released.

Nasr ibn Sayyar said to Urabi: Have you ever satiated? He said: As for your food and that of your father, it is not. It is said that Nasra was protected from this answer for days.

Muawiyah said: If all of them were born Abu Sufyan, they would be dreamers. Sa`sa ibn Suhan said to him: Adam was born to them and it is better than Abu Sufyan, and among them are the Halim and the foolish.

Meteoric angels

It is said to the grammar owner, to the bidder. And my most important offer in the twentieth century was a woman who was the Nazek of the Angels, who drew modern Arab poetry a new path, and she was a prominent poet, and the inspiration was mixed in her poetry with an awareness of what she says.

Nazik Al-Malaika was born in a family of poetry, literature, and general and astute. She asked herself, when she graduated from the teachers' school,: Why do we not have epic poetry like the English? Her pen was 22 years old, and she wrote a poem of 1,200 houses. It was fortunate for this poem to be written again and again at various stages of the poet's age.

She continued her bureaus, and she continued in the introductions to criticize herself and Arab poetry in all its forms. In the preface to "Fragments and Ash" of 1949, they show sections of new poetry:

Your hands to touch the stars

And weaving clouds

Hands to collect shadows

And construction of utopia in the sand

Then she says: Let's put this poetry in the sea of ​​converging in the manner of Hebron. So we will say:

Your hands touch the bright stars and weave the clouds filling the sky

She commented that the words "ablution" and "filling the sky" came to complement the streaks, and I had to replace the clouds with clouds to establish the weight.

It was in this early time that Nazik felt that the equal rows in Obhur Hebron bound the poet, and he said what he did not want to say. What is the solution? Is to stick to the weight, not to stick to the length of the line.

Years passed, then if the angels meteorize themselves, they turn against themselves and question their cause. Here are her words in the introduction to her book "The Tree of the Moon" dated 1967: "I am sure that the flow of free poetry will stop on a day not far away, and the poets will return to the divisive weights after they went out and underestimated them."

Critics and poets who followed her approach attacked her, and Youssef Al-Khal described the views of Nazik Al-Malaik as “puritan apostate opinions, which betrayed the movement of free poetry that it claims to discover.”

Nazek Al-Malaika was a critic who respected her thought and did not commercialize a literary league, and she continued to write free and vertical hair together.

The first poem, which is consciously affiliated with the new poetry of activation, will remain the poem of the Nazek angels, "cholera". After this disease struck thousands in Egypt in 1947, the voice of the poet of Iraq came:

The silence is bitter

Nothing but a zoom back

The child is without a mother and a father

He cries from a burning heart

Oh ghost of revival I have not kept

Nothing but the sorrows of death

O Egypt my feeling is torn apart by what death did

Nazik Al-Malaika died in 2007 and she is 84 years old in Egypt.